African cinema
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Nollywood

Features & Essays

Interviews

Film & TV

A Naija Christmas Review: Kunle Afolayan’s Delightful But Unsatisfactory Christmas Romp
Whose Funeral Is It? A Review of “How To Ruin Christmas” Season 2: “The Funeral”
Nollywood Horror Film “Hex” Review: A Clarence Peter’s Experimental Foray Into Film Making
Netflix Series: A Review of South Africa’s “How To Ruin Christmas: The Wedding” First Season on Netflix
AMAA 2021 Awards: A Breakdown of the Wins and the Winners’ Losses
“Fine Wine” Review: Seyi Babatope’s Romantic Drama Comes Close To Being a Classic

Music

The Kadosh
“The Kadosh” Album Seals Joe Mettle’s Rousing Prowess in Gospel Music
Wizkid MLLE Cover
Wizkid Coasts around His Comfort Zone on “More Love, Less Ego” Album
Sarkodie
Sarkodie Spreads His Sonic Tentacles on “JAMZ” Album
Lady Zamar Delivers a Delightful Taste of House on “Royal Flush” EP
Seyi Vibez
Seyi Vibez Unlocks His Signature Sound on “Billion Dollar Baby” Album
Limoblaze
In “Sunday in Lagos,” Limoblaze Secures His Afro-Worship and Hip-Hop Niche 
Afrocritik Report - 2026 2025-01

VIDEOS

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Books

Culture

Fashion

AMVCA

AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night

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Met Gala

Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage

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Grammy
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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AMVCA
2025 AMVCA: How the Stars Lit up the Night With Style
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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry