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“One Gidi Night” Review: A Thriller That Finds Its Rhythm Only to Lose It
The Will to Leave and Live: A Review of Emmanuel Eruemulor’s “Unwanted”
Lights, Camera, Africa! Returns to Lagos After Six Years With “Convivium: In Gathering”
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“King of Thieves” Review: Femi Adebayo’s Epic Sets a New Standard for Nollywood
“The Rise of Igbinogun” Review: Ideh Chukwuma Innocent Brings “epic” to the Cinemas with His Latest Addition
“Young, Famous and African” Review: Reactions to South African Beauticians’ “Flop” in Reality show
“A Simple Lie” Review: One Little Lie Sets off a Series of Shocking Revelations
AMVCA 8 Nominations: 8 Shockers Flowing from the Nominees Announcements
“City Hustlers” Review: Asuelime’s Underwhelming, Starstruck Version of Mike Ezuruonye’s “Lagos Real Fake Life”
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Fridayy Tells an Impressive Story in “Lost in Melody”
Modenine Throws It Way Back Masterfully on “Popkorn!”
Runtown’s “$igns” Album is a Genre-Sliding, Beautiful Work of Art
Afrocritik Best 25 Music Albums of 2022
Strongman Pays Homage To His Root on “Buokrom Boy” EP
Nikita Kering’ Relives Endless Battles With Trauma on “The Other Side” EP
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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2025 AMVCA: How the Stars Lit up the Night With Style
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