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Variations on the Subject of Family: A Review of the 2026 Caine Prize Shortlist
“Salt in the Snow” Review: Displacements and Shifting Identities Come Together in Sahra Noor’s Debut Memoir
Somalia National Pavilion to Spotlight Contemporary Somali Cinema During Venice Biennale
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Upcoming Film and TV Projects from Nigeria’s Top Directors
Free but Unequal: A Review of African America
Head Over Bills Review: Of Wasted Potentials and Squandered Opportunities
Dinner at My Place Review: In Kevin Luther Apaa’s Rom-Com, Romance Is as Important as Comedy
Top Seven Nollywood Movies to See This Valentine Season
Amandla Review: Of Struggle, Tragedy, and Questionable Screenplay Decisions
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Runtown’s “$igns” Album is a Genre-Sliding, Beautiful Work of Art
Afrocritik Best 25 Music Albums of 2022
Strongman Pays Homage To His Root on “Buokrom Boy” EP
Nikita Kering’ Relives Endless Battles With Trauma on “The Other Side” EP
Tim Godfrey’s 7th Album, “Chapter One,” is Blemished by Faulty Vocal Projection
“Black Panther: Wakanda Forever” Album is a Lengthy Project That Offers Closure
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