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Is the African Literary Critic and the Institution of Criticism Under Attack?
“Love is a Machinery” Review: Anendlessocean Gives Romance the Album It Deserves
Can Democracy Work With a Hungry Voter?
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Interviews
Film & TV
#Throwback Movie Review: “Elevator Baby” Attempts To Mirror A Country’s Systemic Problems, But How Well Is It Done?
Movie Review: Tunde Kelani’s “Ayinla” Delights With Great Acting, But Lacking In Plot
#Throwback Movie Review: “Sylvia” Is A Nuanced Take On Mental Health And The Paranormal
#Throwback Movie Review: Akin Omotoso’s “The Ghost And The House Of Truth” Is An Emotive Thriller
Movie Review: Niyi Akinmolayan’s “Prophetess” Is Ambitious
Nollywood Scripts Are Really Problematic – But Aren’t They True To Life?
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Music
Nasty C’s “Ivyson Army Tour” Is an Underwhelming Mid-term Assessment from a Star Student
6-Track EP, “Festival of the Sun,” Is Ogranya’s Most Experimental Work
KiDi Restates His Impressive Sonic Craftsmanship on “4Play” EP
9ice Shows Traits of His Almost-Forgotten Brilliance on “Tip of the Iceberg II”
Ayüü Offers an Enjoyable Ride on “Toxic Sweet”
Neon Adejo’s Latest Inspiring Album, “Nothing But the Gospel,” Reveals What the Gospel Really Is
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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