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“NO DAYS OFF” Review: Kweku Smoke Reflects on Hustle and Ambition on New Album
Arole Agarawu African Poetry Prize Announces Inaugural Shortlist
“Ben’Imana”, “The Woman Who Poked The Leopard”, “Carissa”, Others Set For Screening at the 2026 NBO Film Festival
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Film & TV
Ritual Killings in Nigeria: Can Any Responsibility Be Attributed to Nollywood?
Juju Stories Review: Surreal 16’s Bold and Artistic Exploration of Nigerian Urban Legends
Gidi Blues Review: A Meet-Cute in Idumota
Vaillante Review: The Lives of a Child Bride and a Young Activist Intertwine in UNICEF’s Important Miniseries
Rancor Movie Review: An Unfit Piece for the Nigerian Cinema
For Maria Ebun Pataki Movie Review: A Remarkable Telling of a Rarely Told Story
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Music
Wizkid Coasts around His Comfort Zone on “More Love, Less Ego” Album
Sarkodie Spreads His Sonic Tentacles on “JAMZ” Album
Lady Zamar Delivers a Delightful Taste of House on “Royal Flush” EP
Seyi Vibez Unlocks His Signature Sound on “Billion Dollar Baby” Album
In “Sunday in Lagos,” Limoblaze Secures His Afro-Worship and Hip-Hop Niche
With “Home,” Johnny Drille Creates a Sonic Haven for His Listeners
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