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Features & Essays

Interviews

Film & TV

Emem Isong’s “Special Jollof” Fails As a Romantic Drama
AMAA 2021 NOMINATIONS: A GUIDE TO THE NOMINATED FEATURE FILMS FROM NOLLYWOOD
Emotions, Depth, and a Stellar Cast Take Front Row in Daniel Ademinokan’s “Gone”
Hide ‘N’ Seek and its Decent but Inadequate Effort to be Different
“Shadow Parties” Jumps Too Many Steps in the Wrong Directions
Kunle Afolayan’s Adaptation of Sefi Atta’s “Swallow” Could Have Been More Powerful

Music

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Mannywellz’s Voice Shines Brightly on “Unwanted” EP
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Wizkid’s “Bad To Me” Music Video is a Punchy, Retro-Themed Return
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Kaestyle Arrives in Style on “Kae’s Study” EP
J. Martins’s “Love Me More” EP is a Stunning Comeback from a Highlife Maestro
Blaqbonez’s “Back in Uni” Music Video is a Witty Collage of Famous Cinematic Cuts
Okey Sokay’s “Declarations” Album is Unorthodox, Yet Spiritual
Afrocritik Report - 2026 2025-01

VIDEOS

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Fashion

AMVCA

AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night

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Met Gala

Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage

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Grammy
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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AMVCA
2025 AMVCA: How the Stars Lit up the Night With Style
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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Africa Magic Viewers’ Choice Awards

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Fiction & Poetry