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The North Is Retelling Its Story: A Review of Flame Tree’s “Someone Should Hold Farida”
There is Nothing New Under the Sun (That African Music Hasn’t Already Lived Through)
CreativeCon ‘26 and Afrocritik Launch “Outside The Box” Challenge to Spotlight Nigeria’s Creative Voices
Features & Essays
Interviews
Film & TV
#Throwback Movie Review: “Elevator Baby” Attempts To Mirror A Country’s Systemic Problems, But How Well Is It Done?
Movie Review: Tunde Kelani’s “Ayinla” Delights With Great Acting, But Lacking In Plot
#Throwback Movie Review: “Sylvia” Is A Nuanced Take On Mental Health And The Paranormal
#Throwback Movie Review: Akin Omotoso’s “The Ghost And The House Of Truth” Is An Emotive Thriller
Movie Review: Niyi Akinmolayan’s “Prophetess” Is Ambitious
Nollywood Scripts Are Really Problematic – But Aren’t They True To Life?
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Music
“Chico Amante” Afrobeat EP is a New Dimension To Idowest’s Artistry
Odunsi Returns to Tease with the Brief “Denim”
Erigga’s “The Lost Boy” LP Captures His Chaotic State of Mind
Folabi Nuel’s “Bobibi” EP Is Drawn From a Well of Romance
Sound Sultan Cements His Legacy with “Reality CHQ” EP
Asake Offers Sonic Escapism On “Mr. Money With the Vibe”
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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