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Saviour for the Condemned: A Review of Joseph Nnamdi’s Debut Novel
AFRIFF 2026: “Adanne” Is a Familiar Story of Mothers, Daughters and Inherited Expectations
Film Africa 2026: The Fragility of Faith, Innocence and Belonging In “God Sleeps On Sundays”, “Echoes Beneath the Hill”, and “Zizou”
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Film & TV
Top Seven Nollywood Movies to See This Valentine Season
Amandla Review: Of Struggle, Tragedy, and Questionable Screenplay Decisions
Ritual Killings in Nigeria: Can Any Responsibility Be Attributed to Nollywood?
Juju Stories Review: Surreal 16’s Bold and Artistic Exploration of Nigerian Urban Legends
Gidi Blues Review: A Meet-Cute in Idumota
Vaillante Review: The Lives of a Child Bride and a Young Activist Intertwine in UNICEF’s Important Miniseries
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Music
Yinka Bernie Delivers an Emotional, Meditative Project with “Something New”
Victoria Orenze’s “Truth in Sounds” Album Cements Her Depth in Carving Spiritual Lyrics
Show Dem Camp Takes Listeners on a Final Palmwine Music Ride with “Palmwine Music 3”
B-Red Shows a Lack of Depth on His “Good Music for Bad Days” EP
Layzee Ella Furthers Her Artistic Growth with Dancehall-Infused “Feel Everything”
Chris Morgan’s Afrobeats-Infused “New Blast Is a 12-Track Masterpiece
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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