Unwanted
Lights, Camera, Africa
Rami Jarboui

Features & Essays

Interviews

Film & TV

#Throwback Movie Review: Moses Inwang’s “Body Language” Is Captivating, Suspense-Laden Drama
Seyi Babatope’s “When Love Happens” And Nollywood’s Approach To Romance Stories
Lancelot Oduwa-Imasuen’s “August Meeting” And The Cultural Relevance Of An Annual Convergence
Movie Review: Izu Ojukwu’s “76” Excels As A Period Piece With A Knack For Detail
“Awon Boyz,” an Emotive Documentary on the Lives of Lagos Hustlers, Now Streaming Globally on Netflix
Movies From The Vault: Chineze Anyaene’s “Ijé: The Journey” Is A Compelling Take On The Nigerian Dream

Music

Ayüü Offers an Enjoyable Ride on “Toxic Sweet”
Neon Adejo’s Latest Inspiring Album, “Nothing But the Gospel,” Reveals What the Gospel Really Is
“Chico Amante” EP is a New Dimension To Idowest's Afrobeat Artistry
“Chico Amante” Afrobeat EP is a New Dimension To Idowest’s Artistry
Odunsi Returns to Tease with the Brief “Denim”
Erigga’s “The Lost Boy” LP Captures His Chaotic State of Mind
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Folabi Nuel’s “Bobibi” EP Is Drawn From a Well of Romance
Afrocritik Report - 2026 2025-01

VIDEOS

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Books

Culture

Fashion

AMVCA

AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night

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Met Gala

Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage

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Grammy
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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AMVCA
2025 AMVCA: How the Stars Lit up the Night With Style
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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry