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Saviour for the Condemned: A Review of Joseph Nnamdi’s Debut Novel
AFRIFF 2026: “Adanne” Is a Familiar Story of Mothers, Daughters and Inherited Expectations
Film Africa 2026: The Fragility of Faith, Innocence and Belonging In “God Sleeps On Sundays”, “Echoes Beneath the Hill”, and “Zizou”
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Film & TV
Rancor Movie Review: An Unfit Piece for the Nigerian Cinema
For Maria Ebun Pataki Movie Review: A Remarkable Telling of a Rarely Told Story
Tanwa Savage Review: Screenplay Flops Serve as the Ruin on Geshin Salvador’s Tanwa Savage
Superstar: Nollywood Movie Review: An Enjoyable Celebrity Story With A Little Too Much To Say
Binti Movie Review: Tanzanian, Seko Shamte Tells the Story of Womanhood on Netflix
The Girl in the Yellow Jumper Movie Review: Ugandan Thriller Thrives on a Story of Improbabilities and Suspense
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Music
Nasty C’s “Ivyson Army Tour” Is an Underwhelming Mid-term Assessment from a Star Student
6-Track EP, “Festival of the Sun,” Is Ogranya’s Most Experimental Work
KiDi Restates His Impressive Sonic Craftsmanship on “4Play” EP
9ice Shows Traits of His Almost-Forgotten Brilliance on “Tip of the Iceberg II”
Ayüü Offers an Enjoyable Ride on “Toxic Sweet”
Neon Adejo’s Latest Inspiring Album, “Nothing But the Gospel,” Reveals What the Gospel Really Is
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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