Unwanted
Lights, Camera, Africa
Rami Jarboui

Features & Essays

Interviews

Film & TV

#Throwback Movie Review: Tope Oshin’s “In Line” Is A Slow-Burning Delight
Movie Review: “Rattlesnake: The Ahanna Story” Is Exciting And Exhausting All At Once
Movie Review: Kayode Kasum’s “Kambili: The Whole 30 Yards” Is More Eye Candy, Less Romance
#Throwback Movie Review: “Elevator Baby” Attempts To Mirror A Country’s Systemic Problems, But How Well Is It Done?
Movie Review: Tunde Kelani’s “Ayinla” Delights With Great Acting, But Lacking In Plot
#Throwback Movie Review: “Sylvia” Is A Nuanced Take On Mental Health And The Paranormal

Music

Bnxn Shines Brighter and Better on “Bad Since ‘97” EP
Emmanuel Iren Makes a Grand Entrance with “Apostolos”
Top 10 Moments for Afrobeats in 2022 So Far
MI Abaga’s “The Guy” LP is a Three-in-One Masterpiece 
T-Classic’s Second EP, “Voicenote,” is Yet Another Remarkable Project
Judikay’s “From This Heart” is a Sure Conduit of God’s Presence
Afrocritik Report - 2026 2025-01

VIDEOS

Welcome to our YouTube Channel

Books

Culture

Fashion

AMVCA

AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night

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Met Gala

Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage

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Grammy
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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AMVCA
2025 AMVCA: How the Stars Lit up the Night With Style
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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry