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“MKO” Documentary Review: An Admissible Portrait of A Democratic Hero
“Agbara Nla: The Return” Is A Remake Driven by Faith and Nostalgia
In Conversation with Keith Shiri on Curating Film Africa 2026 and the Festival’s Women-Centred Programming
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Interviews
Film & TV
#Throwback Movie Review: Moses Inwang’s “Body Language” Is Captivating, Suspense-Laden Drama
Seyi Babatope’s “When Love Happens” And Nollywood’s Approach To Romance Stories
Lancelot Oduwa-Imasuen’s “August Meeting” And The Cultural Relevance Of An Annual Convergence
Movie Review: Izu Ojukwu’s “76” Excels As A Period Piece With A Knack For Detail
“Awon Boyz,” an Emotive Documentary on the Lives of Lagos Hustlers, Now Streaming Globally on Netflix
Movies From The Vault: Chineze Anyaene’s “Ijé: The Journey” Is A Compelling Take On The Nigerian Dream
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Music
Waje Finds Her Path Back Home with Debut Gospel Album, “Unbroken”
Chike Showcases His Growth on “The Brother’s Keeper” LP
“Ethos” is a Fruitful Bromance Between A-Q and Brymo
Bnxn Shines Brighter and Better on “Bad Since ‘97” EP
Emmanuel Iren Makes a Grand Entrance with “Apostolos”
Top 10 Moments for Afrobeats in 2022 So Far
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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