For the Condemned
Adanne
God Sleeps on Sundays

Features & Essays

Interviews

Film & TV

Emotions, Depth, and a Stellar Cast Take Front Row in Daniel Ademinokan’s “Gone”
Hide ‘N’ Seek and its Decent but Inadequate Effort to be Different
“Shadow Parties” Jumps Too Many Steps in the Wrong Directions
Kunle Afolayan’s Adaptation of Sefi Atta’s “Swallow” Could Have Been More Powerful
Imaginative, Stimulating And Thrilling – Further Consideration Of Kemi Adetiba’s “King Of Boys: The Return Of The King”
Movie Review: Kemi Adetiba’s “King Of Boys: The Return Of The King” Is Enjoyable, But It Lacks Bite

Music

Top 10 Moments for Afrobeats in 2022 So Far
MI Abaga’s “The Guy” LP is a Three-in-One Masterpiece 
T-Classic’s Second EP, “Voicenote,” is Yet Another Remarkable Project
Judikay’s “From This Heart” is a Sure Conduit of God’s Presence
Brymo & A-Q’s “Ethos” LP is a Potential Heir for Album of the Year
“Retroverse” EP is a striking debut from Major AJ
Afrocritik Report - 2026 2025-01

VIDEOS

Welcome to our YouTube Channel

Books

Culture

Fashion

AMVCA

AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night

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Met Gala

Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage

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Grammy
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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AMVCA
2025 AMVCA: How the Stars Lit up the Night With Style
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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry