MKO
Agbara Nla
Keith Shiri

Features & Essays

Interviews

Film & TV

#Throwback Movie Review: Tope Oshin’s “In Line” Is A Slow-Burning Delight
Movie Review: “Rattlesnake: The Ahanna Story” Is Exciting And Exhausting All At Once
Movie Review: Kayode Kasum’s “Kambili: The Whole 30 Yards” Is More Eye Candy, Less Romance
#Throwback Movie Review: “Elevator Baby” Attempts To Mirror A Country’s Systemic Problems, But How Well Is It Done?
Movie Review: Tunde Kelani’s “Ayinla” Delights With Great Acting, But Lacking In Plot
#Throwback Movie Review: “Sylvia” Is A Nuanced Take On Mental Health And The Paranormal

Music

“ATOM” EP Proves Magixx is an Emerging Party King 
King Promise Steps up His Game on “5 Star” LP 
Payper Corleone Examines Power, Luxury, and Intimacy in “Fly Talk Only”
Gyakie Makes an Impressive Return on “My Diary” EP 
“Behold The LAMB” LP is Another Hip Hop Revitalisation Exercise 
After All, Omah Lay Isn’t So Alone On “Boy Alone”
Afrocritik Report - 2026 2025-01

VIDEOS

Welcome to our YouTube Channel

Books

Culture

Fashion

AMVCA

AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night

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Met Gala

Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage

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Grammy
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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AMVCA
2025 AMVCA: How the Stars Lit up the Night With Style
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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry