Joseph Jonathan
If The Serpent’s Gift had one lesson for Nollywood, it would be that cultural truth…
Style without story is a hollow exercise, and Say Who Die? ultimately exposes Nollywood’s recurring…
The execution of Devil is a Liar is formulaic, recycling tropes we have seen countless…
For all its polish, Cordelia is ultimately a quiet film about a loud era, and…
Through PLS RT, Chidi has made a film that insists on seeing kidnapping victims not…
At its core, Marked is a quietly radical work. It asks not just how far…
The danger of the constant antagonistic resistance to criticism is that it fosters a shallow…
Catalog is an invitation to reconsider the division of emotional labour within families, especially in…
Slowly but steadily, more African men are beginning to take skincare seriously, not just as…
Ms. Kanyin reflects the current state of Nollywood’s horror ambitions: bold ideas, impressive technical strides…
