Joseph Jonathan
What ultimately holds Colour Me True back is not a lack of ideas, but a…
Nome is not just a historical film; it is a reckoning: one that insists African…
The Heart is a Muscle is a film made with care—perhaps too much care in…
ADIFF 2025: Johan Nayar’s “The Banjo Boys” is a Soul-Stirring Portrait of Music, Faith, and Survival
The Banjo Boys is unforgettable; a film that deserves not only acclaim but a place…
At a time when Zimbabwean cinema is hungry for global visibility, Rise does more than…
What united these films, across countries and sensibilities, was their insistence that the intimate is…
As we gear up for the holiday season, African screens are set to come alive…
Afrikki forces us to confront the uncomfortable truth that Africa’s protest movements often spring from…
Water Girl succeeds because it understands the universal through the culturally specific. It is a…
Bad Influencer is about the fragile architecture of aspiration in a world where everyone is…
