Joseph Jonathan
Three films — from Nigeria, Uganda, and Egypt — stood out for their attempts to…
Radia is a film that dissects the ordinary to reveal the extraordinary pain and possibilities…
Double or Nothing feels tonally inconsistent, unsure whether to lean into satire, tragedy, or domestic…
Adunni: Ogidan Binrin is a reminder that even the most righteous revolutions can falter when…
Lights Out is not a perfect film; uneven, overly ambitious, and occasionally meandering, but it…
The Herd is a debut that demands attention: not merely for its suspense, but for…
At a time when African cinema often feels pressured to either moralise or monumentalise, Finding…
What Dodo Ikire ultimately captures, perhaps unintentionally at first, is how deeply entrenched women are…
Thinline is a mirror of how deeply entrenched gendered assumptions still shape Nollywood storytelling. By…
Remembering isn’t just about freezing time, it’s about letting memory evolve, the way grief turns…
