Joseph Jonathan
Muscle is the kind of film that earns its place not by being conventionally digestible…
Visa denials for African film professionals is not a bureaucratic inconvenience sitting at the edge…
The outrage over kissing is not the expression of ancient tradition. It is the performance…
Alive Till Dawn is competent enough to be watchable, ambitious enough to signal intent, but…
Valentineʼs Day in Nigeria has become less about love and more about the appearance of…
African filmmakers are no longer waiting for permission or validation from foreign gatekeepers; they’re building…
Jazz Infernal is a compact but resonant meditation on grief, migration, and the pressure to…
The battle over A Very Dirty Christmas might seem small in the grand scheme of things,…
Revisiting these 25 African films from 2016, now turning ten in 2026, offers a snapshot…
Colours of Fire is crowded with ideas: tribalism, fear-mongering, inherited violence, love as disruption, myth…
