Joseph Jonathan

Landline
“Landline” Review: Dele Doherty’s Debut Feature Is Held Back by Its Own Ambition

Landline is an emotionally-charged thriller that takes a bold swing at the time-loop genre, even…

NollywoodWeek Film Festival
30+ Films Selected for NollywoodWeek Film Festival 2025

The NollywoodWeek Film Festival 2025 programme also includes six world premieres, including After 30, The…

Meet the Khumalos
“Meet the Khumalos” Review: Will South African Cinema Ever Move Beyond Forbidden Love Tropes?

Meet the Khumalos is not to be taken seriously, as the film hardly ever takes…

Victor Ugoo Njoku
In Conversation: Victor Ugoo Njoku Talks “This Is Love”, Reclaiming Agency, and Representation in Nollywood

Stories are important but you need to think about what you intend to achieve with…

Recall
“Recall” Review: Kunle Afolayan’s Return to the Big Screens Is Largely Forgettable

As it lacks any defining moments, Recall is a film that will be difficult to…

AMVCA
The Biggest Snubs and Surprises of the 2025 AMVCA Nominations

With the awards set to take place on May 10th, the debate over what the…

Omoni Oboli
Omoni Oboli and Nollywood’s Dilemma With Copyright Infringement

What does Oboli’s repeated copyright controversies reveal about the state of copyright protection and infringement…

Fine Girl
“Fine Girl” Review: Fatimah Gimsay’s Film Is a Subversive Take On Modern Harassment and Female Empowerment

In a world where privacy is increasingly eroded, Fine Girl is a timely and powerful…

This Is Love
“This Is Love” Review: Njoku and Nonso’s Documentary Is a Tender Exploration of Queer Nigerian Love and Identity

This Is Love insists on the normalcy of queer relationships, showing that they are not…

Souleymane Cissé
Souleymane Cissé: The Light That Will Continue to Shine

Souleymane Cissé’s passing marks the end of an era, but his legacy lives on through…