Joseph Jonathan
African filmmakers have continued to take advantage of the short film form, and the most…
This year, African filmmakers tested the boundaries of filmmaking, deepened the aesthetic and thematic language…
What ultimately holds Colour Me True back is not a lack of ideas, but a…
Nome is not just a historical film; it is a reckoning: one that insists African…
The Heart is a Muscle is a film made with care—perhaps too much care in…
ADIFF 2025: Johan Nayar’s “The Banjo Boys” is a Soul-Stirring Portrait of Music, Faith, and Survival
The Banjo Boys is unforgettable; a film that deserves not only acclaim but a place…
At a time when Zimbabwean cinema is hungry for global visibility, Rise does more than…
What united these films, across countries and sensibilities, was their insistence that the intimate is…
As we gear up for the holiday season, African screens are set to come alive…
Afrikki forces us to confront the uncomfortable truth that Africa’s protest movements often spring from…
