Joseph Jonathan
Headless is not the film it could have been. But it is a film that…
Nigerian film journalism has always had women at its centre. Before there was a name…
The AMVCAs have a long and well-documented habit of rewarding visibility over rigour. Films that…
The problem with Nollywood was never that it showed the difficult dimensions of traditional practice.…
Muscle is the kind of film that earns its place not by being conventionally digestible…
Visa denials for African film professionals is not a bureaucratic inconvenience sitting at the edge…
The outrage over kissing is not the expression of ancient tradition. It is the performance…
Alive Till Dawn is competent enough to be watchable, ambitious enough to signal intent, but…
Valentineʼs Day in Nigeria has become less about love and more about the appearance of…
African filmmakers are no longer waiting for permission or validation from foreign gatekeepers; they’re building…
