Joseph Jonathan

Hijack '93
“Hijack ‘93” Review: Robert O. Peters’ Thriller Fails to Take Flight

Despite the potential of its story, Hijack ‘93 is a disappointing and lacklustre thriller that…

At Ease
“At Ease” Review: Seun Richards’ Directorial Debut Is a Refreshing Take on War Trauma

At Ease makes a significant contribution to Nigeria’s growing mental health conversation by shedding light…

10 Films That Have Shaped Nollywood
10 Films That Have Shaped Nollywood

With an overwhelming array of films to choose from, there are a number of standout…

Tejiri
“Tejiri” Is a Timely Commentary on Justice and Governance in Africa

As a powerful commentary on the state of justice and governance in Africa, Tejiri challenges…

Nigeria Cinema Day
Nigeria Cinema Day and the Marketing Hurdles Holding Back Nollywood

Beyond the fanfare, Nigeria Cinema Day revealed an untapped potential for cinema culture in Nigeria.…

Family Vacation
“Family Vacation” Review: Voline Ogutu’s Feature Film Unpacks the Facade of Social Media Perfection

Family Vacation is a visually appealing film that offers a nuanced commentary on the impact…

Still from With Difficulty Comes Ease
“With Difficulty Comes Ease” Review: Korede Azeez’s Film Is a Masterful Blend of Art and Heart

With Difficulty Comes Ease is a true cinematic piece that breaks out of the usual…

Onye Egwu
“Onye Egwu” Review: The Uche Jombo-Directed Film is a Near Miss

Onye Egwu feels like a missed opportunity to explore the complexities and triumphs of the…

Mapantsula
“Mapantsula” Review: Oliver Schmitz’s Crime-Drama is a Gripping Portrayal of Apartheid-Era South Africa

With both honesty and compassion, Mapantsula illuminates the brutal realities of apartheid, showcasing the resilience…

A Father's Love | Afrocritik| Review
“A Father’s Love” Review: Sebastian Ukwa Directs a Poignant Story With Subtlety and Nuance

A Father’s Love is a testament to the quality of the First Features Project with…