Vivian Nneka Nwajiaku

Moyosore Akinsete
In Conversation: Moyosore Akinsete Talks “Love, Olaitan”, Growing Into Filmmaking, and the Fear of Loss

“I hope I still have a full life that influences how I make films. I…

Blackout
“Blackout” Review: Okechukwu Oku’s Psychological Thriller Is Confident in Its Vision

Blackout might not be entirely plausible, but it still very much feels like a film…

Love Lockdown
“Love Lockdown” Review: Lyndsey F. Efejuku’s Erotic Lockdown Romance Wants to Say Something About Love

Love Lockdown is an attractive material that wants to say a few things about the…

Tarella: Princess of the Nile
“Tarella: Princess of the Nile” Review: A Nollywood Cinderella Reimagining With Too Little Imagination

Everything about Tarella takes you out of whatever world it wants to place you in,…

Summer Rain
“Summer Rain” Review: Adenike Adebayo-Esho’s Film Anchors a Promising Romance That Fizzles Away

With unhandy direction and an unwieldy screenplay, Summer Rain crumbles under the weight of its…

Vaillante: The Cast of UNICEF’S Miniseries Want Child Marriage Survivors to Feel Seen

Considering the gravity of the theme, delivering on their roles could not have been easy.…

A Naija Christmas Review: Kunle Afolayan’s Delightful But Unsatisfactory Christmas Romp

Essentially, the movie, A Naija Christmas is only original in its outlook. There is that…

Whose Funeral Is It? A Review of “How To Ruin Christmas” Season 2: “The Funeral”

This is where “The Funeral” shines brightest: in the subtle but clear evidence of growth…

Nollywood Horror Film “Hex” Review: A Clarence Peter’s Experimental Foray Into Film Making

What matters to viewers, ultimately, is that a horror film delivers some type of heightened…

Opinion: What, Truly, is the African Story?

…a platform for African writers for the purpose of discovering “the best authentic African story…