There’s a lot of communication via body language in this film, and for the most…
Freedom Way uses its characters and its Lagos setting as a microcosm of Nigeria and…
Unclaimed is easily forgettable, and despite having what would ordinarily be an intriguing premise, it…
“This is my first directorial feature, but it doesn’t feel like my first because of…
In The Bandit Warlords of Zamfara, Yusuf Anka takes great risks to get answers to…
There is a way to portray sexual violence onscreen, even in Nollywood, and that way…
My Mother Is a Witch is one of Niyi Akinmolayan’s most decent endeavours, with strong…
Everything in Red Circle is intentionally designed to trigger a reaction. And even where the…
“I approached Red Circle as ‘What would I want to see in another person’s film?…
The Party does not have the sleuthing, the intrigue, or the eccentricity that makes murder…