Vivian Nneka Nwajiaku

On Different Grounds
“On Different Grounds” Review: Mildred Okwo Returns with a Hearty, Veteran-Led Rom-Com

On Different Grounds has the character of a Nollywood film elevated by the spirit of…

Shoot the People
Documentary Spotlight: “Shoot the People”

Shoot the People follows Misan Harriman as he travels across continents, witnessing protest movements and…

Dian Weys
Tribeca Festival 2026: In Conversation with Dian Weys on “Vultures”, Capitalism, and Moral Responsibility in the Aftermath of Violence

“I believe that we are shaped by our circumstances, but I also believe that we…

Saïd Hamich Benlarbi
In Conversation with Saïd Hamich Benlarbi on His Cannes-Selected Docu-Drama, “In Search of the Grey Bird with Green Stripes”

“We never film reality as it is with ourselves in the equation. We’re not a…

Blood Sisters Season 2
“Blood Sisters Season 2” Review: EbonyLife’s Hit Thriller Returns to Netflix as Shoddy Merchandise

Blood Sisters Season 2 is a repeat performance of the first season, except it is…

Call of My Life
“Call of My Life” Review: Dammy Twitch’s Feature Debut Is a Cute Romcom for the Lover Girls

Call of My Life is genuinely romantic, truly comedic, and settles into familiar tropes without…

A Spark in the Dark
“A Spark in the Dark” Review: Akay Mason’s Melodrama Offers No Insights on Its Subject Matter

A Spark in the Dark is a film for which blindness is primarily a plot…

The Trials of Winnie Mandela
Documentary Spotlight: “The Trials of Winnie Mandela”

The Trials of Winnie Mandela sets out to re-educate the world and re-evaluate the legacy…

Evi
“Evi” Review: Uyoyou Adia Attempts a Do-Ever in a Music-Themed Story of Gambles and Second Chances

Evi feels like a do-over, as much for its director as for its eponymous protagonist.…

Aba Blues
“Aba Blues” Review: Jack’enneth Opukeme’s Unconventional Style Can’t Fix Conventional Nollywood Storytelling

In Aba Blues, writer-director Jack’enneth Opukeme attempts to reach for morally grey complexities within a…