The Editor

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Little Rot
“Little Rot” Review: Akwaeke Emezi’s Novel Confronts The Performance of Morality

Little Rot is an investigation into how society imposes rigid ideas of right and wrong,…

My Mother Is a Witch
“My Mother Is a Witch” Review: Niyi Akinmolayan Explores Intergenerational Trauma in Provocative Drama

My Mother Is a Witch is one of Niyi Akinmolayan’s most decent endeavours, with strong…

Area Scatter
The Legend of Area Scatter: Enigmatic Musician or Misunderstood Individual?

Area Scatter’s life is proof that history has been replete with personalities operating on the…

Freedom Way
Afolabi Olalekan’s AMVCA-Winning Thriller, “Freedom Way” Set for July Theatrical Release

BluHouse Studios has announced the theatrical release of its acclaimed thriller drama, Freedom Way,  set…

Fela Anikulapo Kuti
Fela Kuti’s “Zombie” Inducted into 2025 Grammy Hall of Fame

The Academy noted that Zombie meets the Hall of Fame’s requirement for recordings that are…

Workaholic
“Workaholic” Review: Xbusta Flaunts His Artistic Strengths on New EP

Workaholic is a fantastic EP that slots seamlessly into Xbusta’s growing catalogue, standing as a…

Starters
“Starters” Review: Ice Prince and Chopstix’s Joint EP Leans On Legacy With Mixed Results

Starters feels more like a placeholder; it reminds listeners of Ice Prince’s talent, but leaves…

Spotlight
Afrocritik’s Weekly Music Spotlight: Amapiano Party

Afrocritik’s Weekly Music Spotlight: Amapiano Party. By Yinoluwa Olowofoyeku  Hey there, rhythm riders. I hope…

AI chatbots
Should We Be Having Deep Conversations With AI Chatbots?

While AI chatbots are improving at simulating emotions and human connection, it does not change…

Club World Cup
Africa at the 2025 FIFA Club World Cup

Whether or not Al Ahly, Wydad, Espérance, or Sundowns lift the trophy, their participation matters,…