The Editor

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African music
There is Nothing New Under the Sun (That African Music Hasn’t Already Lived Through)

Is Afrobeats losing its creative spark, or is it in a decrescendo? These questions go…

Outside The Box
CreativeCon ‘26 and Afrocritik Launch “Outside The Box” Challenge to Spotlight Nigeria’s Creative Voices

As part of the countdown to the conference, Afrocritik is sponsoring “Outside The Box”, a…

Andy Mundy-Castle
“Hope is a Tool of Resistance”: In Conversation with Andy Mundy-Castle on “Shoot the People” and the Ethics of Bearing Witness

“I just think it is vitally important not to forget the past if we want…

livestreaming
The Popularity, Tensions, and Criticisms of Livestreaming in Contemporary Nigerian Pop Culture

Criticisms of livestreaming will never go away, but more and more people will likely embrace…

Docubox
Docubox Unveils Seven Kenyan Teams For Debut Feature Fiction Development Lab

The forthcoming Feature Fiction Development Lab signifies an expansion of Docubox’s longstanding commitment to nurturing…

On Different Grounds
“On Different Grounds” Review: Mildred Okwo Returns with a Hearty, Veteran-Led Rom-Com

On Different Grounds has the character of a Nollywood film elevated by the spirit of…

The Anniversary
“The Anniversary” Review: Prosper Edesiri’s Chamber Drama Has a Fascinating Psychological Core It Doesn’t Fully Trust

The Anniversary is, despite its limitations, a film worth engaging with, partly because it attempts…

For Me, This Time
“For Me, This Time” Review: Africaine Makes Strong Impression with Debut EP

For Me, This Time is an impressive debut that introduces Africaine’s artistic identity with clarity,…

2026 World Cup
Analysis: The 2026 World Cup and Africa’s Ten-Minute Collapse

It is a deeply concerning pattern that suggests African teams at the 2026 World Cup…

Known Associates Group
South Africa’s Known Associates Group (KAG) Ventures Expands To Spain

The fund will be shared between two film and TV ventures under KAG-owned companies, and…