It seems that the entire point of Ọ̀kànjúwà is to dish out basic moral instructions,…
Map of Her Shadow is an impressive achievement on its own terms, but it is…
What remains unmistakable on Before The Morning Light is Johnny Drille’s continued commitment to the…
If African football’s growing digital presence is constructed on top of AI-generated spectacle rather than…
The Comedian’s Diary is a sobering portrait of the capability of community in the face…
Ben’Imana explores hurt, unprocessed pain, and inherited trauma across three generations — interrogating what lies…
Encounters South African International Documentary Festival has unveiled the programme for its 28th edition, set…
The announcement of the advisory arm marks a significant expansion of the company’s mandate beyond…
Clarissa is a bold, curious exploration of class and colonialism, which, in a sense, works…
Congo Boy, directed by Rafiki Fariala, and Ben’Imana, directed by Marie-Clémentine Dusabejambo, both from Un…
