Film and TV

Omoni Oboli
Omoni Oboli and Nollywood’s Dilemma With Copyright Infringement

What does Oboli’s repeated copyright controversies reveal about the state of copyright protection and infringement…

AMVCA
The Annual AMVCA’s Category Problem: Should TV Productions Be Competing with Films?

If the AMVCA insists on recognising achievement in television, then it’s time to recognise that…

Fine Girl
“Fine Girl” Review: Fatimah Gimsay’s Film Is a Subversive Take On Modern Harassment and Female Empowerment

In a world where privacy is increasingly eroded, Fine Girl is a timely and powerful…

Love, Olaitan
“Love, Olaitan” Review: Moyosore Akinsete’s Short Film Is a Mesmerising Portrait of Love and Loss

Love, Olaitan is a treatise on the bond between father and daughter, but more broadly,…

This Is Love
“This Is Love” Review: Njoku and Nonso’s Documentary Is a Tender Exploration of Queer Nigerian Love and Identity

This Is Love insists on the normalcy of queer relationships, showing that they are not…

Moyosore Akinsete
In Conversation: Moyosore Akinsete Talks “Love, Olaitan”, Growing Into Filmmaking, and the Fear of Loss

“I hope I still have a full life that influences how I make films. I…

Blackout
“Blackout” Review: Okechukwu Oku’s Psychological Thriller Is Confident in Its Vision

Blackout might not be entirely plausible, but it still very much feels like a film…

Ada Ọmọ Daddy
“Ada Ọmọ Daddy” Review: A Dramatic Critique of Deadbeat Culture or A Deadbeat’s Fantasy?

The best that Ada Ọmọ Daddy evokes is anger—anger at the film’s politics, its easy…

Souleymane Cissé
Souleymane Cissé: The Light That Will Continue to Shine

Souleymane Cissé’s passing marks the end of an era, but his legacy lives on through…

Reel Love
“Reel Love” Review: Kayode Kasum’s Film Falls Victim to Overused Tropes

Reel Love is a lighthearted, enjoyable romance that could appeal to core fans of the…