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“Ọ̀kànjúwà” Review: Inkblot and FilmOne Throw a Mediocre Party with Elementary Moral Lessons
“Map of Her Shadow” Review: Anaïs Cardot Dazzles Softly on Sophomore EP
“Before The Morning Light” Review: Johnny Drille Expands His Prowess on New Album
Features & Essays
Opinion: What, Truly, Is the Substance of Afrobeats Music?
Towards a Better Understanding of the Igbo Identity
Burna Boy’s “Big 7” and Forthcoming “I Told Them” Album Herald a New Exciting Chapter in His Artistic Journey
What We Speak Of When We Talk About Osita Osadebe and Highlife Music
The Ultimate Guide to Upcoming Afrobeats Festivals in 2023
Afrocritik’s Top 30 Songs in the First Half of 2023
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Interviews
Film & TV
25 Prolific Actor-Director Collaborations in Nollywood
“Over the Bridge” Review: Tolu Ajayi’s Film Explores Nigeria’s Systematic Rot and the Lives It Unravels
“The Fire and the Moth” Review: Taiwo Egunjobi Has Grown in Confidence as a Filmmaker
It’s the Eleventh Edition, and We Still Don’t Know What the AMVCA Trailblazer Award Is
2025 AMVCA: How the Stars Lit up the Night With Style
AMVCA 2025: What Are We Really Celebrating?
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Music
Afrocritik’s Weekly Music Spotlight: Touch of Gospel
The Manifesto of M.anifest: New Roads, Same Genius
Afrocritik’s Weekly Music Spotlight: Rhythm & Blues
“Did I Lie” Review: Cina Soul Reminds Us of Her Pedigree on New Album
Afrocritik’s Weekly Music Spotlight: Chill Vibes
Why Is There a Dearth of Protest Music in Nigeria Today?
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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