For the Condemned
Adanne
God Sleeps on Sundays

Features & Essays

Nollywood’s Global Impact How Nigerian Films Are Captivating Audiences Worldwide - Afrocritik
Nollywood’s Global Impact: How Nigerian Films are Captivating Audiences Worldwide
OkadaBooks closes down - Afrcoritik
The “Crash” of OkadaBooks is a Call for Nigeria to Reflect on the State of Its Art Communities
Afrobeats
Six Sub-Genres Expanding the Diversity of Afrobeats
EV being charged _ Afrocritik
Electric Vehicles (EVs): A Green Solution for Africa or More Environmental and Economic Quandaries?
Umuofia Arts and Books Festival - Afrocritik
Searching for New Philosophers at the Umuofia Arts and Books Festival 2023 (UmuofiaFest)
5g Connectivity - Africa's Journey to 5G and the Wealth of Opportunities It Brings- Afrocritik
New Generation Connectivity: Africa’s Journey to 5G and the Wealth of Opportunities It Brings

Interviews

“I’m here to dominate the Dancehall movement,” King Perryy: In Conversation with Afrocritik
Waje
Transitioning to Gospel Music is Not a Trend: A Conversation with Nigerian Soul Diva, Waje
Chinua Ezenwa-Ohaeto: The Shape of Dreams and Memories
With “Collector of Memories,” Joshua Chizoma is Creating Identities
Dami Ajayi, and the Mission of Creating Unending Voices
From South Sudan to Canada, Amanie Illfated’s Music Charts New Paths

Film & TV

Water Girl
ENIFF 2025: Nnamdi KanagaÊŒs “Water Girl” Reclaims Ogbanje Narratives With Intimacy and Precision
Bad Influencer
“Bad Influencer” Review: Netflix’s South African Series Is a Stylish, Chaotic Tale of Clout and Consequences
Dust to Dreams
“Dust to Dreams” Review: Idris Elba and Mo Abudu Collaborate on a Short Film That Squanders Its Fortunes
Milisuthando
“Milisuthando” Review: Bongela-Davis’ Film Places the Nation in the Mirror of a Single Life
3 Cold Dishes
“3 Cold Dishes” Review: Asurf Oluseyi’s Cold Revenge Thriller Arrives Lukewarm
Fractured
AFRIFF 2025: Atlanta Bridget Johnson Has More to Give Than Kayode Kasum’s “Fractured” Has to Offer

Music

Blinky Bill
Blinky Bill: East Africa’s Quiet Radical
Workaholic
“Workaholic” Review: Xbusta Flaunts His Artistic Strengths on New EP
Starters
“Starters” Review: Ice Prince and Chopstix’s Joint EP Leans On Legacy With Mixed Results
Spotlight
Afrocritik’s Weekly Music Spotlight: Amapiano Party
This Feels Like An Interlude
“This Feels Like An Interlude” Review: Lady Donli Explores Fragile Love on Inventive EP
Festival
Top 10 African Festivals to Attend This Summer
Afrocritik Report - 2026 2025-01

VIDEOS

Welcome to our YouTube Channel

Books

Sola Osofisan’s “The Simple Joys of Her Final Days” Presents Wry Portraits of Nigerian Life at Home and Abroad
Abubakar Adam Ibrahim’s “When We Were Fireflies” Examines the Primal Questions of Life and the Afterlife
”God’s Children Are Little Broken Things” Review: Arinze Ifeakandu’s Book Reveals the Silent Resilience of Queer Love in Nigeria
Emmanuel Iduma’s “I am Still With You” Contemplates War, Loss, and the Burden of Memory
Tunde Ososanya’s “Lagos, Life and Sexual Distraction” Captures Scenes of Tragedy and Sensuality
Chidiebube onye Okohia’s “Of Dark Tides and Darkling Times” is a Philosophical Exploration of Life

Culture

Fashion

AMVCA

AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night

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Met Gala

Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage

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Grammy
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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AMVCA
2025 AMVCA: How the Stars Lit up the Night With Style
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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry