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How Contemporary Nollywood Uses Humour to Both Expose and Excuse the Politics of Marriage
CAF’s Non-Decision on FIFA Forward Enterprise Fits a Pattern
Afrocritik Music Spotlight: Rhythm & Pulse
Features & Essays
Tems is Confident in Her Sensuality in Her Latest Single, “Me & U”
Cardinal Rex Lawson: The Philosophy and Timeless Artistry of His Music
Funding and Collaboration in Nollywood: What Could “The Black Book” Tech Investors Mean for Filmmakers in Nigeria?
Understanding the Uproar About a White Miss Universe Zimbabwe: Could This Spark Fresh Dialogues on Inclusion and Diversity?
Seven Ancient African Civilisations You Should Know About
Is There a Parallel Between the Skin Bleaching Epidemic and Colourism That is Being Overlooked in Africa?
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Interviews
Film & TV
“Zikoko Life” Review: The Unwavering “Female Happiness” Agenda of BluHouse and Big Cabal’s Anthology Series
“Marked” Review: The South African Netflix Series Is a Devastating Portrait of Moral Desperation
“None of Us Is Immune”: In Conversation with Afolabi Olalekan and Blessing Uzzi, Director and Producer of “Freedom Way”
“Catalog” Review: The Egyptian Netflix Series Is Quiet But Speaks Volumes
“To Kill a Monkey” Review: Kemi Adetiba’s Exciting Crime Thriller Series Is a Lesson in How Not to Tell a Story
“The Lost Days” Review: Wingonia Ikpi’s First Feature Starts Strong but Crashes Halfway into the Journey
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Music
The Cultural and Structural Realities Behind Llona and Odumodublvck’s Grassroots Tours
10 Times Nigerian Songs Made a Surprise Comeback Online
“Love Is War” Review: Starsamm Shows Promise on Debut EP
Afrocritik’s Weekly Music Spotlight: Soulful Tunes
Tolani Is Creating Music on Her Own Terms
The Classical Warmth of Annabel Joseph Ojoboh’s Music
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VIDEOS
Welcome to our YouTube Channel
Books
“Rummaging for Omens”: A Review of Nneoma Otuegbe’s book of poetry
A Review of Orode’s “Bring Me Flowers in April”
The Ironies of Patriarchy in Igbo Society: a Review of Cheluchi Onyemelukwe-Onuobia’s “The Son of the House”
In Abi Dare’s “The Girl with the Louding Voice,” Language Plays a Foremost Role in Storytelling
The Son of the House: Cheluchi Onyemelukwe-Onuobia’s Powerful Storytelling Builds an Edifice from an Age-worn Plot
Chibundu Onuzo’s “The Spider King’s Daughter” Fails Tragically in its Literary Bidding
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Culture
Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Fiction & Poetry
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