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“the village’s elegy” & “A sonnet is fighting absolution” | Poems by Josiane Kouagheu
“Over the Bridge” Review: Tolu Ajayi’s Film Explores Nigeria’s Systematic Rot and the Lives It Unravels
The Classical Warmth of Annabel Joseph Ojoboh’s Music
Features & Essays
The “Hook-Up Culture” Is Changing the Way We View Modern Dating and Relationships
Women, Fashion And The Amazing Role Body Type Plays
The Ruler vs The Ruled: Is Free Speech Politicised Against Marginalised Groups?
Out with the Weird Hustle Culture, In with “Quiet Quitting”
How the Traditional Publishing Industry in Africa Is Shaping the Emergence of New Voices in African Literature
A Brief Commentary on the 15th Headies Awards
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“Queen Cleopatra” Review: Jada Pinkett Smith’s Docu-series is a Flawed Romance of a Pre colonial African Monarch
“Subjects of Desire” Review: Are We Ever Going To Get over the Idea of Cultural Appropriation?
“Safari” Review: Bill Afwani-Directed Film Is a Successful Casting of Child Actors
“Gangs of Lagos” Review: In Jade Osiberu’s Crime Thriller, Pre-Electoral Manipulation, Defeated Dreams, and Friendship Take Center Stage
“Unseen” Review: Travis Taute’s Crime Thriller is an Attempted Exploration of the Life of a Working-Class Woman
“African Folktales Reimagined” Review: Netflix and UNESCO Present a Timeless Glorification of Africa’s Legends and History
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“The Chorus Leader” Review: Timi Dakolo is Bold and Bare on New Album
DUST Review: Priddy Ugly Takes an Emphatic Bow on Final Album
Afrocritik Weekly Music Spotlight 2024: Week 2
“Dem Mauru” Review: Maandy’s New EP Attest to Her Hard Work and Sensitivity
“Let’s Start A Riot” Review: La Même Gang Returns With a Decent EP
Afrocritik Weekly Music Spotlight 2024: Week 1
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2025 AMVCA: How the Stars Lit up the Night With Style
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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