African cinema
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Nollywood

Features & Essays

Big Brother Naija: In The End, We are All Tega
Has The Concept Of Tolerance In Marriage Become Old-Fashioned?
Why Are We So Obsessed With The Personal Lives Of Celebrities?
Big Brother Naija: When Are We Going To Have That Mental Health Conversation?
Doing Christianity The “Adefarasin Way”
From Port Harcourt To The World: Meet 1DA Banton, The Former Church Drummer Whose Sound Emphasises The Good Life

Interviews

Film & TV

“Money Miss Road” Review: Swanky JKA and Josh2funny Bring the Comedy in Obi Emelonye’s Action Comedy
Bovi Ugboma’s “My Village People” Understates Spirituality and Witchcraft
“Justice Served” Review: A Broken System Is Put on Trial in Another Entertaining Netflix Hostage Drama
8 Nigerian Movies and TV Shows Coming Soon to Your Screens
“Country Queen” Review: Kenya’s First Netflix Original Series Is Potent but Drab
“The Blood Covenant” Review: A Familiar but Interesting Anti-Money Ritual Film

Music

“Summer Breeze” Review: Tay Iwar Lays Skill and Consistency on Full Display
“Work of Art” Review: Is Asake’s Album Simply a Work in Progress?
Bloody Civilian Creatively Expresses Her Rage on “Anger Management” EP
Amaarae Flexes Her Range on “Fountain Baby” LP
Guchi Displays Full Romantic Side in New Two-Pack Single
Mannywellz Cruises Along Comfortably on Solid “Don’t Tell Anyone” EP
Afrocritik Report - 2026 2025-01

VIDEOS

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Books

Culture

Fashion

AMVCA

AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night

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Met Gala

Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage

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Grammy
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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AMVCA
2025 AMVCA: How the Stars Lit up the Night With Style
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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry