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“Ọ̀kànjúwà” Review: Inkblot and FilmOne Throw a Mediocre Party with Elementary Moral Lessons
“Map of Her Shadow” Review: Anaïs Cardot Dazzles Softly on Sophomore EP
“Before The Morning Light” Review: Johnny Drille Expands His Prowess on New Album
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Interviews
Film & TV
A Naija Christmas Review: Kunle Afolayan’s Delightful But Unsatisfactory Christmas Romp
Whose Funeral Is It? A Review of “How To Ruin Christmas” Season 2: “The Funeral”
Nollywood Horror Film “Hex” Review: A Clarence Peter’s Experimental Foray Into Film Making
Netflix Series: A Review of South Africa’s “How To Ruin Christmas: The Wedding” First Season on Netflix
AMAA 2021 Awards: A Breakdown of the Wins and the Winners’ Losses
“Fine Wine” Review: Seyi Babatope’s Romantic Drama Comes Close To Being a Classic
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Music
On “THE4MULA,” Blxckie Gets Lost in a Sea of Thematic Monotony
Wendy Shay Meanders on Mediocre “Enigma” EP
“The Kadosh” Album Seals Joe Mettle’s Rousing Prowess in Gospel Music
Wizkid Coasts around His Comfort Zone on “More Love, Less Ego” Album
Sarkodie Spreads His Sonic Tentacles on “JAMZ” Album
Lady Zamar Delivers a Delightful Taste of House on “Royal Flush” EP
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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