African cinema
The Almajiri
Nollywood

Features & Essays

Interviews

Film & TV

“Young, Famous and African” Review: Reactions to South African Beauticians’ “Flop” in Reality show
“A Simple Lie” Review: One Little Lie Sets off a Series of Shocking Revelations
AMVCA 8 Nominations: 8 Shockers Flowing from the Nominees Announcements
“City Hustlers” Review: Asuelime’s Underwhelming, Starstruck Version of Mike Ezuruonye’s “Lagos Real Fake Life”
The American King Review: Hail! United States of Africa and Its American King Called Akon
“Cake” Review: A Nollywood Culinary Rom-Com That Can’t Quite Figure Out the Right Recipe

Music

Blanche Bailly’s “Authentik” LP is a Fine Attempt at Stamping Legacy
Say Goodbye to Love: Blaqbonez’s Anti-Love Crusade is Breaking Every Yoke
Rhita Nattah Channels Her Emotions Into “Inner Warrior” EP
Moses Bliss’ “More Than Music” Album Showcases His Skills in Full Gear
Jeriq Confounds and Excites With Deluxe Edition of “Billion Dollar Dream” Album
Dunsin Oyekan’s “The Birth of Revival” Album is a Meal Well Served
Afrocritik Report - 2026 2025-01

VIDEOS

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Books

Culture

Fashion

AMVCA

AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night

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Met Gala

Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage

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Grammy
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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AMVCA
2025 AMVCA: How the Stars Lit up the Night With Style
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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry