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World Bank’s IFC Makes First-Ever Investment in Africa’s Digital Film Production Ecosystem
Burna Boy, Tyla, Tems, and Others Clinch Nominations at the 2025 MTV Video Music Awards
PiggyVest, OPay, Paymob, and Seven Other African Fintechs Named Among World’s Top 300 Fintechs by CNBC
Features & Essays
How Artists Are Promoting African Culture and Heritage through Digital Media
The Nigerian Comedy Industry is in Need of Structure and International Exposure
Abortion Ban, and the Fate of African Women in the US
Despite Strict International Laws, Challenges Abroad, Young Africans are Still Crossing Borders
Tems’ BET Win is a Glimpse into the Future of African Music, and African Women in Music
Is the New Wave of the Corset Changing the Way Women View Their Bodies?
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Film & TV
“Here Love Lies” Review: The Appealing Aura of Tope Oshin’s Film is Stifled by a Puzzling Storyline
“Beyond the Veil” Series Review: Five Northern Women Navigate Life in a Warm, Slow-Paced Drama
“Married to Work” Review: Philippe Bresson’s Rom-Com Falls Short of Expectations
“The Plan” Review: A Wonky Storyline Hinders the Prospects of an Enjoyable Watch
How Netflix and EbonyLife’s “A Sunday Affair” Makes a Feeble Case for Female Friendships
“Flawsome” Review: Once Again, Nollywood Women aren’t Independent of Masculine Convention
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Music
Afrocritik Weekly Music Spotlight 2024: Week 4
The Rise of Arbantone: A New Stable Among Kenyan Music Genres?
“Once Upon A Cat” Review: Iyanya Struggles for Artistic Control on New LP
“Evil Twin” Is a Poignant Reminder of PsychoYP and Jeriq’s Insane Potential
Afrocritik Weekly Music Spotlight 2024: Week 3
Nigerian Music Luminary, Timaya, Releases New Single, “Dey Your Dey”
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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