Fintech
women’s football

Features & Essays

Reconciling the Loss of the Mother Tongue, and Learning to Speak It Again
TikTok Is Bringing Down Obstacles to Music Promotion; But It Is Also Creating New Ones
Why Nigerian Parents Hate Headphones
Are African Wives Doing Away with the Sacrocancy in Domestic Cooking?
From Hood Boy to Billionaire Dreams, What Does Jeriq’s Rise Represent for the Nigerian Trap Culture?
Female-Engineered Domestic Violence is as Wrong As its Gender Flipside

Interviews

Film & TV

“All Na Vibes” Review: An Ambitious Film Loses its Aspiration to Flimsy Plot
“Dark October” Review: Is October Cursed?
“Shanty Town” Thrives More on Casting than Storytelling: Further Consideration of “Shanty Town”
“Shanty Town” Series Review: What Exactly Is this Ultraviolent and Relentlessly Grim Crime Drama Trying to Prove?
“Side Dish” Review: A Single Night’s Decision Changes Everything in Mandla Ngcongwane’s Crime Series
“4-4-44” Review: Izu Ojukwu’s Period Film about Love and Mental Health Can’t Find Its Spark

Music

Joeboy - Afrocritik
Joeboy Inks Dual Deal with Warner Music, Launches Young Legend Label
We Cut Keys 2 - Blinky Bill - Afrocritik
“We Cut Keys 2” Review: Blinky Bill Returns With a Sonorous And Genre-Bending New Album
“The Chorus Leader” Review: Timi Dakolo is Bold and Bare on New Album
DUST Review: Priddy Ugly Takes an Emphatic Bow on Final Album
Afrocritik Weekly Music Spotlight 2024: Week 8
Afrocritik Weekly Music Spotlight 2024: Week 2
“Dem Mauru” Review: Maandy’s New EP Attest to Her Hard Work and Sensitivity

VIDEOS

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Books

Culture

Fashion

AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day

10 Celebrities Who Slayed the 2025 AMVCA Cultural Day

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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Sourcing and Fashion Week
10 African Fashion Events to Watch Out for in 2025
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Sports

Explainers

Fiction & Poetry