Francis Duru
Efosa Osaghae
MKO

Features & Essays

Interviews

Film & TV

“Silent Baron” Review: An Easily Forgettable Tale of Blinded Trust and Stolen Innocence 
Rise
“Rise” Review: Akin Omotoso Directs a Family-Friendly Sports Biopic for Disney
Ile Owo
“Ile Owo” Review: Dare Olaitan’s Horror Film Is Heavy on Suspense and Light on Terror
“Glamour Girls” Review: Play Network Ruins Yet Another Nollywood Classic
Netflix’s “Trees of Peace” Review: Saved by the Will to Survive
“Collision” Review: Half-Hearted Political Statements, and a Struggling Plot Collide in South African Netflix Crime Thriller

Music

Kabza De Small and Stakev Display the Softer Side of Amapiano on “Rekere” Album
Okey Sokay’s “The Archives” Album Focuses More on Production than Sound Lyricism
Blanche Bailly’s “Authentik” LP is a Fine Attempt at Stamping Legacy
Say Goodbye to Love: Blaqbonez’s Anti-Love Crusade is Breaking Every Yoke
Rhita Nattah Channels Her Emotions Into “Inner Warrior” EP
Moses Bliss’ “More Than Music” Album Showcases His Skills in Full Gear
Afrocritik Report - 2026 2025-01

VIDEOS

Welcome to our YouTube Channel

Books

Culture

Fashion

AMVCA

AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night

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Met Gala

Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage

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Grammy
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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AMVCA
2025 AMVCA: How the Stars Lit up the Night With Style
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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry