C.J. Obasi
Mohammed Taher
African films

Features & Essays

Interviews

Film & TV

“Happiness Ever After” Review: In This South African Romantic Drama, Choosing Oneself Is True Love
“Oga Bolaji” Review: Kayode Kasum’s Slow But Rewarding Social Commentary
Izu Ojukwu’s “Amina” is an Underwhelming Portrayal Of The Legendary Queen Amina of Zazzau
Emem Isong’s “Special Jollof” Fails As a Romantic Drama
AMAA 2021 NOMINATIONS: A GUIDE TO THE NOMINATED FEATURE FILMS FROM NOLLYWOOD
Emotions, Depth, and a Stellar Cast Take Front Row in Daniel Ademinokan’s “Gone”

Music

Lady Zamar Delivers a Delightful Taste of House on “Royal Flush” EP
Seyi Vibez
Seyi Vibez Unlocks His Signature Sound on “Billion Dollar Baby” Album
Limoblaze
In “Sunday in Lagos,” Limoblaze Secures His Afro-Worship and Hip-Hop Niche 
Home
With “Home,” Johnny Drille Creates a Sonic Haven for His Listeners
Blaqbonez Continues to Grow and Shine on “Young Preacher” Album
Young Jonn’s “Love Is Not Enough Vol. 2” is a Faulty Sonic Gamble
Afrocritik Report - 2026 2025-01

VIDEOS

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Fashion

AMVCA

AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night

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Met Gala

Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage

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Grammy
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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AMVCA
2025 AMVCA: How the Stars Lit up the Night With Style
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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Africa Magic Viewers’ Choice Awards

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Explainers

Fiction & Poetry