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Documentary Spotlight: “The Bandit Warlords of Zamfara”
Chimamanda Ngozi Adichie Begins “Dream Count” Homecoming Tour in Lagos
Dear Nollywood, Stop Using Sexual Violence as a Plot Device
Features & Essays
Dear Nigerians, It is Time to Revive the Hip-Hop Culture
Are Millennial African Parents Less of a Pain than Generation X Parents?
Ten Musicians from Southeastern Nigeria to Watch out For
Ten African Hairstyles That Made a Big Comeback to the World’s Fashion Industry
Burna Boy’s MSG Performance, and the Gift That Keeps on Giving
Eight Female-devoted Blogs Owned by Women in Africa and the Diaspora
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Interviews
Film & TV
“Finding Hubby 2” by Femi Ogunsanwo Contains Bad Decisions, Regrets, Vengeance, and a Happily-Ever-After Ending
Kunle Afolayan’s Legacy Endures in Netflix Fantasy — Further Consideration of “Anikulapo”
“Anikulapo” Review: Kunle Afolayan’s Latest Masterpiece is an Hour Too Long for the Unsatisfactory Act it Delivers
“Aloe Vera” Review: Love Conquers All Hate in Peter Sedufia’s Fantasy awesome Drama
“Symphony” Review: In This Nollywood Film Depicting Police Brutality, Music is the Extra Spice
The “Set Up 2” Review: Chinaza Onuzo’s Latest Release Focuses on Aesthetics and Lacks Depth and Clarity
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Music
“Love and Chaos” Is a Beautiful, Heart-Swelling, Sonic Time Out with Kuami Eugene
“Unboxed” Review: Nissi’s Sophomore EP is a Fantastic Experimental Project
“Eziokwu” Review: Odumodublvck’s Enjoyable Project Is Marred By Repetitive Narratives
“Sincerely, Benson” Review: Bnxn Makes a Bold, Brazen Debut as One of Afrobeats’ Finest Artistes
“To Cry & Bounce” Review: Bouff Explores Resilience and Desire on New EP
“Son of the Soil” Review: Not3s Embraces His Cultural Roots and Rhythms on New EP
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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