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African Cinema’s Long Road to Freedom
“The Almajiri” Review: Jammal Ibrahim’s Debut Asks Difficult Questions About Education, Faith, and Northern Nigeria’s Future
How Contemporary Nollywood Uses Humour to Both Expose and Excuse the Politics of Marriage
Features & Essays
Legend of the Ogbanje: Superhuman Abilities, Wanderlust between Life and Death
Married Nigerian Women Should be Allowed to Decide Their Surnames
10 Exercises You Can Do With No Workout Equipment
10 Perfect Songs For An Evening With Your Partner
Maverick City Worship: Beyond Music, Now a Revolution
Why does Nigerian Law Fail to Criminalise Marital Rape?
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Film & TV
“How to Ruin Christmas: The Baby Shower” Series Review: Third Season Has Same Formula, More Drama, and a Tumi-Sized Hole
“U-Turn” Review: Gabriel Afolayan’s Directorial Debut Is a Road Movie Lacking in Attractions
“Love Lives Here” Review: Norman Maake’s RomCom is a Fairy Tale that Sticks to its Story
“Far from Home” Review: Netflix’s Formulaic Nigerian Young Adult Series is Bingeable but Falls Short
Eleven Movies Coming to your Screens this December and Beyond
“Nafsi” Review: A Surrogacy Gone Wrong Jeopardises Relationships in Kenyan Feature
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Music
“I Told Them” Review: Burna Boy Says A Lot But Reveals Very Little on This Enjoyable LP
Fridayy Explores Soulful Narratives and Musical Triumphs on Self-Titled Debut LP
“For the Kulture” Review: Kelvyn Boy’s EP is An Excellent Return For the Beloved Ghanaian Artiste
“Decagon” Review: Spiritual Depth Meets Sonic Brilliance on Anendlessocean’s Album
“Asylum” Review: Kaestyle & LeriQ Team Up to Make Magic on Collaborative EP
“Yes Indeed” Review: Yaadman Shines Bright on His Return EP
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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