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“Ọ̀kànjúwà” Review: Inkblot and FilmOne Throw a Mediocre Party with Elementary Moral Lessons
“Map of Her Shadow” Review: Anaïs Cardot Dazzles Softly on Sophomore EP
“Before The Morning Light” Review: Johnny Drille Expands His Prowess on New Album
Features & Essays
One Year After “End SARS” Protest, Police Brutality Still Looms
Is Beyoncé Wrong in Appropriating African Culture?
How to prepare onunu, the undercelebrated Nigerian Staple
Fela Kuti @ 83: A Short Note on His Legacy
7 Things New Mums Aren’t Always Told
Five Cities You Must Visit Before You Die
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Film & TV
“Money Miss Road” Review: Swanky JKA and Josh2funny Bring the Comedy in Obi Emelonye’s Action Comedy
Bovi Ugboma’s “My Village People” Understates Spirituality and Witchcraft
“Justice Served” Review: A Broken System Is Put on Trial in Another Entertaining Netflix Hostage Drama
8 Nigerian Movies and TV Shows Coming Soon to Your Screens
“Country Queen” Review: Kenya’s First Netflix Original Series Is Potent but Drab
“The Blood Covenant” Review: A Familiar but Interesting Anti-Money Ritual Film
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Music
“Music Has Failed Us” Review: Abu Ibrahim’s Debut Poetry Album Heralds a New Protest Chant
“Dues” Review: Sean Tizzle’s Work Is a Triumph of Talent and Growth
“Summer Breeze” Review: Tay Iwar Lays Skill and Consistency on Full Display
“Work of Art” Review: Is Asake’s Album Simply a Work in Progress?
Bloody Civilian Creatively Expresses Her Rage on “Anger Management” EP
Amaarae Flexes Her Range on “Fountain Baby” LP
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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