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Matt B: The Water Remembered Him First
Davido, Wizkid, FOLA Lead 2026 Headies Awards Nominations + Full Nominees List
Nollywood’s Political Unconsciousness and the Critic’s Quagmire
Features & Essays
Social Media, Narcissism, and the Craze for Validation
Is the Society Hindering Heterosexual Men From Forming Stronger Friendships?
Gender Constructs Are No Basis For Moral Judgement
Freedom for Religious Proselytism
One Year After “End SARS” Protest, Police Brutality Still Looms
Is Beyoncé Wrong in Appropriating African Culture?
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Film & TV
“Country Hard” Review: In Paul Utomi’s Crime Drama, Paths Cross, Lives Intertwine, and One Meeting can Change Everything
“Ẹlẹṣin Ọba” Review: Netflix’s “Death and the King’s Horseman” Adaptation Is a Play, Not Really a Film
“Becoming Abi” Review: Bolu Essien’s Office Space Dramedy is a Relatable Dreamy Story Where Love Meets Ambition
“Eyimofe” Review: An Ever-Relevant Interrogation of the Pressing Reasons to “Japa”
“Valley of a Thousand Hills” Review: An Unclear Solicitation for the Queer Community
“Soólè” Review: Kayode Kasum Might Need a Break for Artistic Introspection
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Music
“The African Serenades” Review: Echezonachukwu Nduka Sets the Pace For African Art Music
“THREEE” Review: KLY’s Album Reflects on Love, Lust, and Internal Conflicts
“Rush” Review: Hamzaa Explores Vulnerability in Her New EP
“Africa Unite” Review: Reggae Meets Afrobeats on Bob Marley’s Reimagined LP
The Sarz Academy Garners an “A” for Effort on “Memories That Last Forever 2”
Christtie Jay Serves Poetry in Soulful Meditation in Her Spoken Word Album, “Grey Choir”
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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