C.J. Obasi
Mohammed Taher
African films

Features & Essays

Abdulrazak Gurnah’s Nobel Prize Win and the Politics of Storytelling
Women and the Myth of Vagina Fragrance
Women, Outrageous Beauty Standards And A Multimillion Dollar Makeup Industry
Chimamanda Adichie At 44: Celebrating Nigeria’s Literary Rockstar
Is Art Criticism Dead In Nigeria?
Big Brother Naija: In The End, We are All Tega

Interviews

Film & TV

“Prophetess” Review: Niyi Akinmolayan Dares to Merge Religion and Farce
Jewel
“Jewel” Review: A Quiet Reminder of the Continuing Impacts of South Africa’s Sharpeville Massacre
“Introducing the Kujus” Review: Biodun Stephen Creates a Dramatic and Incredibly Relatable Family
“Silent Baron” Review: An Easily Forgettable Tale of Blinded Trust and Stolen Innocence 
Rise
“Rise” Review: Akin Omotoso Directs a Family-Friendly Sports Biopic for Disney
Ile Owo
“Ile Owo” Review: Dare Olaitan’s Horror Film Is Heavy on Suspense and Light on Terror

Music

Amaarae Flexes Her Range on “Fountain Baby” LP
Guchi Displays Full Romantic Side in New Two-Pack Single
Mannywellz Cruises Along Comfortably on Solid “Don’t Tell Anyone” EP
Nonso Amadi’s Colourful Artistry Is Displayed Fully on “When It Blooms” ​LP
Joeboy Delivers More of the Familiar on “Body & Soul” LP
Wande Coal Shores Up Legacy on “Legend Or No Legend” Album 
Afrocritik Report - 2026 2025-01

VIDEOS

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Books

Culture

Fashion

AMVCA

AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night

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Met Gala

Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage

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Grammy
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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AMVCA
2025 AMVCA: How the Stars Lit up the Night With Style
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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry