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Is the African Literary Critic and the Institution of Criticism Under Attack?
“Love is a Machinery” Review: Anendlessocean Gives Romance the Album It Deserves
Can Democracy Work With a Hungry Voter?
Features & Essays
Has The Concept Of Tolerance In Marriage Become Old-Fashioned?
Why Are We So Obsessed With The Personal Lives Of Celebrities?
Big Brother Naija: When Are We Going To Have That Mental Health Conversation?
Doing Christianity The “Adefarasin Way”
From Port Harcourt To The World: Meet 1DA Banton, The Former Church Drummer Whose Sound Emphasises The Good Life
Gospel Chants And The Evolution Of Worship Music In Nigeria
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Interviews
Film & TV
“Collision” Review: Half-Hearted Political Statements, and a Struggling Plot Collide in South African Netflix Crime Thriller
“The Order of Things” Review: Dr Sid Serves a Hollywood-esque Romantic Comedy in Nollywood Directorial Debut
“Breaded Life” Review: Biodun Stephen Writes and Directs to Perfection a Twist of Fate
Marking Democracy Day: 5 Films about Nigeria’s Democracy (And Where to Find Them)
“Charge and Bail” Review: Inkblot’s Courtroom Drama is a Legal Comedy in Every Sense
“The Wildflower” Review: Biodun Stephen’s Winning Streak Continues in New Film About Gender-Based Violence
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Music
YKB Trends Slowly but Steadily in the Right Direction on “Yusful Music” EP
Rema Bolsters His Leading Effort with “Rave & Roses Ultra” LP
Kenyan Star, Bensoul, Lights up His Own Lane with “The Lion of Sudah” Album
L.A.X Shows Lack of Sonic Ambition on “No Bad Vibes” EP
Suté Iwar Immerses Us in His World on Debut LP, “Ultralight”
Is PayBac Iboro’s “West African Goat” LP a Potential Hip-Hop Album of the Year?
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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