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How Perliks Became Nigeria’s Most Story-Driven Music Video Director
AFRIFF 2025: Zoey Martinson’s “The Fisherman” Mines Humour in the Pursuit of Dreams and the Tensions That Accompany Change
“Sabali” Review: Peruzzi’s Long-Awaited Album Reasserts His Status as Afro-Pop’s Melody King
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Yung L’s “CLRS” EP is an Awesome Teaser
Dice Ailes’s “Ladies First” EP is a Graceful Return
In “Phases,” Moonchild Sanelly Stands For Women
Falz’s “BAHD” is a Visionary And Eclectic Return
In “Theta,” Brymo Births Another Soundtrack of Solace
Black Sherif Brought Down to Earth in Abysmal Visuals for “Kwaku the Traveller”
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