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On Afrobeats to the World: Where Is the Line Between Evolution and Identity Crisis?
Book O’Clock Opens Submissions for “Nyamiri-Bàsakkwacḕ: Stories from Another Home” Anthology
The North Is Retelling Its Story: A Review of Flame Tree’s “Someone Should Hold Farida”
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Juju Stories Review: Surreal 16’s Bold and Artistic Exploration of Nigerian Urban Legends
Gidi Blues Review: A Meet-Cute in Idumota
Vaillante Review: The Lives of a Child Bride and a Young Activist Intertwine in UNICEF’s Important Miniseries
Rancor Movie Review: An Unfit Piece for the Nigerian Cinema
For Maria Ebun Pataki Movie Review: A Remarkable Telling of a Rarely Told Story
Tanwa Savage Review: Screenplay Flops Serve as the Ruin on Geshin Salvador’s Tanwa Savage
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Music
Modenine Throws It Way Back Masterfully on “Popkorn!”
Runtown’s “$igns” Album is a Genre-Sliding, Beautiful Work of Art
Afrocritik Best 25 Music Albums of 2022
Strongman Pays Homage To His Root on “Buokrom Boy” EP
Nikita Kering’ Relives Endless Battles With Trauma on “The Other Side” EP
Tim Godfrey’s 7th Album, “Chapter One,” is Blemished by Faulty Vocal Projection
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