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Francis Duru: The Legacy Beyond Ahanna
HollyShorts Film Festival 2026: In Conversation with British-Nigerian Filmmaker Efosa Osaghae, Director of “Phantom Carousel”
“MKO” Documentary Review: An Admissible Portrait of A Democratic Hero
Features & Essays
Nollywood Needs Its Low-Budget Movies. Here Is Why.
How To Use A Friday Night
The Evolution, Trajectory And Appreciation Of Rock Music In Nigeria
Show Dem Camp’s Clone Wars Series: A Decade Plus Of Consistent Rap Intervention
WHY PETER TOSH, NOT BOB MARLEY, SHOULD BE REGARDED AS JAMAICA’S GREATEST EVER MUSICAL EXPORT
WHY NIGERIANS THINK MR EAZI IS NO LONGER MUSICALLY RELEVANT - AND WHY THEY ARE VERY WRONG
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Film & TV
8 Nigerian Movies and TV Shows Coming Soon to Your Screens
“Country Queen” Review: Kenya’s First Netflix Original Series Is Potent but Drab
“The Blood Covenant” Review: A Familiar but Interesting Anti-Money Ritual Film
“Prophetess” Review: Niyi Akinmolayan Dares to Merge Religion and Farce
“Jewel” Review: A Quiet Reminder of the Continuing Impacts of South Africa’s Sharpeville Massacre
“Introducing the Kujus” Review: Biodun Stephen Creates a Dramatic and Incredibly Relatable Family
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Music
Kel-P Displays Potential and Promise on “Bully Season Vol.1” EP
Ice Prince’s “To Be Continued” EP is a Vibrant, Genre-Bending Return
With “Continental Playlist,” King Perryy Takes a Bold Step forward
With “Pheelz Good,” Pheelz Solidifies Himself as a Music Connoisseur
DJ Spinall Attains Lofty Heights with “Top Boy” Album
With “Soundtrack to the Good Life,” Ajebutter22 Chaperones Listeners Towards the Good Life
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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