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“Ọ̀kànjúwà” Review: Inkblot and FilmOne Throw a Mediocre Party with Elementary Moral Lessons
“Map of Her Shadow” Review: Anaïs Cardot Dazzles Softly on Sophomore EP
“Before The Morning Light” Review: Johnny Drille Expands His Prowess on New Album
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Film & TV
“Happiness Ever After” Review: In This South African Romantic Drama, Choosing Oneself Is True Love
“Oga Bolaji” Review: Kayode Kasum’s Slow But Rewarding Social Commentary
Izu Ojukwu’s “Amina” is an Underwhelming Portrayal Of The Legendary Queen Amina of Zazzau
Emem Isong’s “Special Jollof” Fails As a Romantic Drama
AMAA 2021 NOMINATIONS: A GUIDE TO THE NOMINATED FEATURE FILMS FROM NOLLYWOOD
Emotions, Depth, and a Stellar Cast Take Front Row in Daniel Ademinokan’s “Gone”
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Music
Seyi Vibez Unlocks His Signature Sound on “Billion Dollar Baby” Album
In “Sunday in Lagos,” Limoblaze Secures His Afro-Worship and Hip-Hop Niche
With “Home,” Johnny Drille Creates a Sonic Haven for His Listeners
Blaqbonez Continues to Grow and Shine on “Young Preacher” Album
Young Jonn’s “Love Is Not Enough Vol. 2” is a Faulty Sonic Gamble
Iyanya’s “The 6th Wave” EP is a Return to Form for the Afrobeats Icon
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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