Yinoluwa Olowofoyeku

4 Da Streets
“4 Da Streets!” Review: Uncle Waffles and Royal MusiQ Connect With Amapiano’s Roots on New Collaborative Project

4 Da Streets! highlights the curatorial strengths of Uncle Waffles and Royal MusiQ, who successfully…

Sweet Boy
“Sweet Boy” Review: Kuami Eugene Delivers Consistency on New Project

Sweet Boy is an album deeply centred around vocal performance, and on that front, it…

Spotlight
Afrocritik Music Spotlight: April Mega Spotlight

Afrocritik Music Spotlight: April Mega Spotlight By Yinoluwa Olowofoyeku Greetings to all the fearless seekers…

Modern Fantasy
“Modern Fantasy” Review: Suté Iwar and RayTheBoffin Combine Flawlessly on Collaborative EP

Modern Fantasy is a proper collaborative project in the truest sense, one where both artistic…

More To Life
“More To Life” Review: Alex Iwobi’s Musical Persona 17 Flashes Promise on Debut Project

More To Life ultimately reveals itself as a deeply personal exercise in self-definition, a project…

See What We’ve Done
“See What We’ve Done” Review: Mr Eazi and King Promise Ponder Love and Life on New Joint Album

Ultimately, See What We’ve Done stands as an undeniably enjoyable body of work, one that…

Clarity of Mind
“Clarity of Mind” Review: Omah Lay Delivers A Magnum Opus on Sophomore Album

Clarity of Mind expands the boundaries of what is expected, both from Omah Lay as…

And Everything In Between
“And Everything In Between” Review: Kotrell Examines Love and Life on Sophomore Album

And Everything In Between stands as a strong statement from a growing artiste, one that…

Spotlight
Afrocritik Music Spotlight: Different and Fresh

Afrocritik Music Spotlight: Different and Fresh By Yinoluwa Olowofoyeku Greetings to the ever-curious seekers of…

When Lagos Sleeps
“When Lagos Sleeps” Review: Spinall Showcases Curatorial Range on New EP

When Lagos Sleeps ultimately stands as a project filled with possibility and layered meaning. It…