Yinoluwa Olowofoyeku

NO DAYS OFF
“NO DAYS OFF” Review: Kweku Smoke Reflects on Hustle and Ambition on New Album

As it stands, NO DAYS OFF offers a substantial amount of Smoke’s perspective but not…

SUN SHERIF
“SUN SHERIF” Review: Black Sherif Embraces New Horizons on EP

SUN SHERIF does not ask us to forget the darkness that came before it. Instead,…

Son of Elvis
“Son of Elvis” Review: Marcus Harvey Bares His Heart Across New Album

Son of Elvis is a powerful introduction to an artiste with a remarkably broad and…

STARLIFE
“STARLIFE” Review: Victony Refines His Sonic Toolbox on New Album

STARLIFE is a compelling demonstration of an artiste learning how to curate his own established…

Spotlight
Afrocritik Music Spotlight: Storytelling Songwriting

Afrocritik Music Spotlight: Storytelling Songwriting By Yinoluwa Olowofoyeku Hey everyone, and welcome back to another…

ALKEBULAN III: The Water Remembers
“ALKEBULAN III: The Water Remembers” Review: Matt B Rounds Out Album Trilogy With Orchestral Flourish

ALKEBULAN III: The Water Remembers is an extremely colourful, vibrant and cinematic sonic experience that…

Starrgirl
“Starrgirl” Review: Ayra Starr Cements Star Girl Status with New Album

Starrgirl elevates Ayra Starr to the forefront of her peers, shifting the narrative from that…

Oriadé
“Oriadé” Review: Davido Showcases Hitmaking Mastery on New Album

Oriadé remains a highly energetic and enjoyable listen because Davido simply knows how to make…

A*POP
“A*POP” Review: Tyla Flaunts Global Pop Flair on Sophomore Album

A*POP remains an enjoyable listen throughout, but while its highest peaks are genuinely exhilarating, the…