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Spotlight
Afrocritik Weekly Music Spotlight: Fresh Sounds

Afrocritik Weekly Music Spotlight: Fresh Sounds By Yinoluwa Olowofoyeku Hey there, audio adventurers. Hope the…

Kyalami
Kyalami’s Renaissance: Paving the Way for F1’s Return to Africa

Hosting an F1 Grand Prix could inject hundreds of millions into the economy via tourism,…

app
10 Must-Have Apps for University Students in Africa

Using any or all of these apps increases your chances of meeting assignment deadlines, efficiently…

Inside Job
“Inside Job” Review: Jacky Vike and Mammito Eunice Find Kenya’s Laugh Lines and Its Pain Points

The ability to toggle between levity and gravity lends Inside Job a rare authenticity: a…

Next Gen
“Next Gen” Review: Oskido Platforms Fresh Talents on New Album

Musically, Next Gen is a solid and enjoyable Amapiano album. Contextually, Oskido is a master…

Still The Mayor
“Still The Mayor” Review: Mayorkun’s Third Album Is a Reaffirmation of His Pop Status

Still The Mayor is, at its core, Mayorkun reminding us why he earned the title…

Taene
Nigerian Afro-Fusion Artiste, Taene, Set to Release New Single, “NUH”

Rooted in themes of self-awareness, boldness, and feminine power, “NUH” blends Afrobeats, R&B, Soul, and…

CKay The Second
“CKay The Second” Review: CKay Explores Intimacy and Vulnerability on Polished EP

CKay The Second is not just a reanimation of past sounds, but a confident offering…

Blinky Bill
Blinky Bill: East Africa’s Quiet Radical

“I wouldn’t necessarily say I’m an Alternative musician, rather a musician with an Alternative eye.…

Geoblocking
How Geoblocking and Cinema Scheduling Bias Undermine Distribution in Nollywood

It becomes clear that while geoblocking is a significant barrier to Nollywood’s global reach, cinema…