The Editor

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Eniola Bolaji
Eniola Bolaji Becomes First African World No. 1 in Women’s SL3 Para-Badminton

Eniola Bolaji’s achievement places the BFN ahead of other federations under the National Sports Commission…

Hybrid
“Hybrid” Review: Shoday’s Artistry Solidifies on Debut Album

The consistent throughline across Hybrid is Shoday himself and the strength of his vocal work. …

Alive Till Dawn
“Alive Till Dawn” Review: Star Power, Genre Risk and Nollywood’s Innovation Myth

Alive Till Dawn is competent enough to be watchable, ambitious enough to signal intent, but…

Afrocritik
Afrocritik to Publish Inaugural Annual Report on Africa’s Creative Landscape

Structured as a multidisciplinary, essay-driven compendium, the report will explore the year’s most significant developments…

love songs
Why Have Nigerian Pop Love Songs Lost Their Emotional Depth?

A cursory survey of the most popular love songs from the past decade reveals a…

sync licensing
How Sync Licensing Works and Why It Matters for Nigerian Artistes

Sync licensing is one of the few revenue streams where the income is not only…

east africa
The Long Retreat of East African Conscious Music

At a moment when politics presses hardest on daily East African life, the music that…

Kikuyu Land
Sundance 2026: On “Kikuyu Land” And Picking Up Tea Leaves Soaked In Blood

Kikuyu Land trusts its audience to sit with complexity, to resist the urge for premature…

Creative Africa Content Pavilion
Creative Africa Content Pavilion Announces Shortlisted Projects for the Best of Africa Pitch at MIP London

Five Nigerian filmmakers and one South African were selected to pitch four films and two…

Grace
Chika Unigwe’s “Grace” Exposes the Line Between Wanted and Unwanted Pregnancy

Grace is an immensely provocative story that asks questions about the rightness or wrongness of…