The Editor

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African Political Fiction
Notable African Political Fiction of the Last Decade (Part II)

Some of these books tackle politics head-on; in others, its marginal effects play in the…

In Our Own Ways
Sisterhood and a Fractured Marriage: A Review of Yejide Kilanko’s “In Our Own Ways”

Although In Our Own Ways is ostensibly about class and a fractured marriage, the enduring…

Bride of the Year
“Bride of the Year” Review: This South African Romcom Doesn’t Take Itself Seriously

Bride of the Year knows what it is, is comfortable being what it is, and…

Roll Call at the Crumbling Girl’s High School
“Roll Call at the Crumbling Girl’s High School” and Other Poems | By Tushar Sen

Roll Call at the Crumbling Girl’s High School Roll No. 1 is expected to outmature…

Jamir Nazir
[Opinion] Jamir Nazir’s Commonwealth-Winning Story “The Serpent in the Grove”: A Beautifully Told Story or an AI Mash-Up Job?

Can we say that between the prize and the story and Jamir Nazir, there is…

4 Da Streets
“4 Da Streets!” Review: Uncle Waffles and Royal MusiQ Connect With Amapiano’s Roots on New Collaborative Project

4 Da Streets! highlights the curatorial strengths of Uncle Waffles and Royal MusiQ, who successfully…

My Father’s Shadow
“My Father’s Shadow” Returns to Nigerian Cinemas This June, Following Major AMVCA Wins

The decision to return My Father’s Shadow to cinemas just days before Democracy Day adds another…

African Filmmaking
African Filmmaking at the Crossroads of Oscars Reform and AI Ethics

For African cinema, the pathway expansion is a blessing in disguise at first glance. It…

Durban FilmMart Institute
Durban FilmMart Unveils 36 African Film Projects For 17th Edition

Durban FilmMart Institute serves as a film business hub with focus  on promoting, supporting and…

StudioCanal
StudioCanal Partners With Sun Africa Group For South African Theatrical Distribution

This burgeoning relationship between StudioCanal and SAG is the latest stride in Canal+’s penetration of…