The Editor

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Unwanted
The Will to Leave and Live: A Review of Emmanuel Eruemulor’s “Unwanted”

Unwanted is a chronicle of the will to leave and live by a young man…

Lights, Camera, Africa
Lights, Camera, Africa! Returns to Lagos After Six Years With “Convivium: In Gathering”

The programme begins on Thursday, 1st October, with a welcome reception, an opening film screening…

Rami Jarboui
Sundance Institute Names Rami Jarboui Among 2026 Documentary Fund Grantees

The 2026 Documentary Fund received applications from filmmakers around the world, with almost 65% of…

artistes
Why Emerging Nigerian Artistes Are Sampling Legacy Genres

What sounds like nostalgia at first begins to look like something more deliberate: a generation…

football
Why Are African National Football Teams Playing Fewer Competitive Games This Window?

CAF’s responsibility should extend beyond arranging fixtures; it should involve examining how that calendar serves…

19
“19” Review: Tola Odunsi’s Ambitious but Uneven Portrait of Cybercrime

19 is a film with something worthwhile to say, and enough good filmmaking to make…

The Man Died
“The Man Died” Review: A Welcome Cinematic Contextualisation of Wole Soyinka’s Prison Memoir

As an adaptation, The Man Died works because it appropriately combines references and contexts from…

NO DAYS OFF
“NO DAYS OFF” Review: Kweku Smoke Reflects on Hustle and Ambition on New Album

As it stands, NO DAYS OFF offers a substantial amount of Smoke’s perspective but not…

Arole Agarawu
Arole Agarawu African Poetry Prize Announces Inaugural Shortlist

Founded by Adedayo Agarau, the Arole Agarawu Foundation is focused on preserving African cultural heritage…

NBO Film Festival
“Ben’Imana”, “The Woman Who Poked The Leopard”, “Carissa”, Others Set For Screening at the 2026 NBO Film Festival

Now in its seventh year, the festival will feature three juried competitions, its first-ever filmmaker…