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Keith Shiri

Features & Essays

Popular Acceptance and Social Currency Why Have Certain Political Opinions Prevailed in Nigeria - Afrocritik
Popular Acceptance and Social Currency: Why Have Certain Political Opinions Prevailed in Nigeria?
Icons who Shape Nollywood Behind the Scenes - Afrocritik
Icons of Nollywood: Celebrating the Stars Who Help Shape Nollywood Behind the Scenes
Queen Idia of Benin - Afrocritik
African Art: Discovering the Beauty, Symbolism, and Diversity of Traditional and Contemporary Masterpieces
Oladips
Nigeria’s “Peak Foolery” and Quirky Pop Culture Moments of 2023
Afrocritik's African Books That Should Be Considered Modern Classics
Examining Africa’s Literary Masterpieces: African Books That Should Be Considered Modern Classics
Nollywood’s Global Impact How Nigerian Films Are Captivating Audiences Worldwide - Afrocritik
Nollywood’s Global Impact: How Nigerian Films are Captivating Audiences Worldwide

Interviews

Waje
Transitioning to Gospel Music is Not a Trend: A Conversation with Nigerian Soul Diva, Waje
Chinua Ezenwa-Ohaeto: The Shape of Dreams and Memories
With “Collector of Memories,” Joshua Chizoma is Creating Identities
Dami Ajayi, and the Mission of Creating Unending Voices
From South Sudan to Canada, Amanie Illfated’s Music Charts New Paths
“How I Produced Pheelz’s ‘Finesse’” — Miichkel

Film & TV

Together Apart, Jumbi, I Can Smell a Rat
AIFF 2025: “Together Apart”, “Jimbi”, and “I Can Smell a Rat” Navigate the Edges of Humanity
Radia
AIFF 2025: In “Radia”, Khaoula Assebab Benomar Crafts a Stark Portrait of Widowhood, Agency, and the Cost of Becoming
The Fisherman
AFRIFF 2025: Zoey Martinson’s “The Fisherman” Mines Humour in the Pursuit of Dreams and the Tensions That Accompany Change
Njem, The Boy Who Gave
AFRIFF 2025: “Njem” and “The Boy Who Gave” Find Drama in the Spectacle of Suffering
Double or Nothing
AIFF 2025: Rachida SaadiʼS “Double or Nothing” Is a Gamble on Love and Addiction That Plays It Too Safe
Kalu Oji
AFRIFF 2025: In Conversation With Kalu Oji and Okey Bakassi, Writer-Director and Lead Actor of “Pasa Faho”

Music

Talk Olympics
[Opinion] At the Risk of Talking Rubbish: Obongjayar Is Keeping up the “Talk Olympics”
Amelia Songs
Billboard-Honoured Lawyer, Akinyemi Ayinoluwa, Talks Music Law, African Excellence, and Creative Rights
Spotlight
Afrocritik Weekly Music Spotlight: Fresh Sounds
Next Gen
“Next Gen” Review: Oskido Platforms Fresh Talents on New Album
Still The Mayor
“Still The Mayor” Review: Mayorkun’s Third Album Is a Reaffirmation of His Pop Status
CKay The Second
“CKay The Second” Review: CKay Explores Intimacy and Vulnerability on Polished EP
Afrocritik Report - 2026 2025-01

VIDEOS

Welcome to our YouTube Channel

Books

18 Notable Essays From Nigeria in 2023
The Art of Attentiveness: A Review of “Through the Eye of a Needle: Art in a Time of Coronavirus” Essay Collection
The Art of Attentiveness: A Review of “Through the Eye of a Needle: Art in a Time of Coronavirus” Essay Collection
Obaluaye by Jide Badmus - Afrocritik
Jide Badmus’ “Obaluaye” Is a Paradox of Chaos and Harmony
Sola Osofisan’s “The Simple Joys of Her Final Days” Presents Wry Portraits of Nigerian Life at Home and Abroad
Abubakar Adam Ibrahim’s “When We Were Fireflies” Examines the Primal Questions of Life and the Afterlife
”God’s Children Are Little Broken Things” Review: Arinze Ifeakandu’s Book Reveals the Silent Resilience of Queer Love in Nigeria

Culture

Fashion

AMVCA

AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night

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Met Gala

Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage

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Grammy
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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AMVCA
2025 AMVCA: How the Stars Lit up the Night With Style
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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry