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Condescending Benevolence: The Colonial Paradox of “Mister Johnson”
AT THE ALTAR | Poem By Rutendo Chichaya
Afrocritik’s Most Anticipated Books of 2026
Features & Essays
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Why You Dress the Way You Do: Is There a Link Between Fashion and Identities?
The Story, Politics, Reactions Trailing Nigerian ‘Professor’ Onyeka Nwelue
What is Humanity’s Fuss about Strongmen?
These 5 Nigerian Skit Makers are Blurring the Lines between Comedy & Music
Are African Literary Magazines Moving in the Right Direction?
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Technical Excellence Saves “Farmer’s Bride” From an Uneven Script
“Lisabi: The Uprising” Review: Niyi Akinmolayan’s Dramatised Biopic Is a Deeply Contained Story
“Tejiri” Is a Timely Commentary on Justice and Governance in Africa
Highlights From the Third Edition of the Ibadan International Film Festival
IDFA 2024: Spotlight on Selected African Documentaries
Nigeria Cinema Day and the Marketing Hurdles Holding Back Nollywood
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Music
20 Nigerian Underground Songs That Should Be On Your Playlist
10 Nigerian Music Snippets Left Unreleased
Top 10 Conscious Songs from East Africa
15 Best Conscious Songs From Nigeria
“Sui Generis” Review: Reminisce’s New EP Is a Gritty Fusion of Indigenous Rap and Fuji Rhythms
“OFA” Review: Oxlade’s Emotional Range Shines in His Debut Album
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2025 AMVCA: How the Stars Lit up the Night With Style
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