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“Memorabilia” Review: Efue Announces Herself Impressively With Debut EP
Why Are Major African Football Tournaments Always Hosted by the Same Countries?
The 2025 NLNG Nigeria Prize For Literature Unveils Shortlist
Features & Essays
Afrocritik Top 25 African Novels of 2022
Stream Farms: Should Ratings be the Only Relevant Metric Used in the Music Industry?
Is Africa Commemorating Its Heroes Enough?
Is Artistic Cross-Carpeting Beneficial in the Long Run for Black Artistes?
How Misinformation is Becoming Prevalent in African Media Spaces
Ishiagu Fabric: How the Wrong Totem Became the Symbol of the Igbo People
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Interviews
Film & TV
“Dinner” Review: Jay Franklyn Jituboh’s Romantic Thriller Misreads Its Premise of Feminine Infidelity
“Soon Comes Night” Review: In This South African Crime Drama, There Are No Heroes
2024 Pan African Film & Arts Festival (PAFF) Kicks Off on Feb 6
The Nollywood Mystery Thriller: Sometimes It’s Elementary, and Sometimes There’s None
Sundance 2024: In Daphne Matziaraki and Peter Murimi’s “The Battle for Laikipia”, Climate Change Adds Salt to Festering Sociopolitical Wounds
Six African Titles to Screen at the 22nd Dublin International Film Festival
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Music
Tiwa Savage’s Soundtrack Project, “Water & Garri”, is a Nod to Her Musical Prowess
In Conversation: Aisosa is Nigeria’s Newest Lover Boy and R&B Champion
“Therapy” Review: Jay Melody Taps Into Bongo Flava’s RnB Influences And Excels In His Debut Album
“R2 Sept 12” Review: Bella Shmurda Navigates Loss and Resilience on His Latest Project
“Nyumbani” Review: Ally Fresh and Mura K.E Curate a Distinct Kenyan Musical Identity with New EP
Opinion: The Rising Rap Scene in the East and What the Rappers Are Getting Wrong
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2025 AMVCA: How the Stars Lit up the Night With Style
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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