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Favour Ofili Sets World Record in 150m Sprint at Atlanta City Games
25 Prolific Actor-Director Collaborations in Nollywood
“Iyanu” Renewed for Second Season at HBO Max and Cartoon Network, Spin-offs Announced
Features & Essays
International Day of the Girl Child 2022: 8 Young African Women Amplifying the Voice of the Girl Child
15 Emerging and Gifted Voices Amplifying African Literature Today
Do Women Have a Role to Play in the Popularity of Patriarchal Ideals?
Ten Socio-political Songs about Nigeria
Seven Talented Nollywood Actors on the Cusp of Stardom
Umu Obiligbo and the Igbo Music of Life
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Film & TV
“Love, Sex and 30 Candles” Review: The Feminist Undertone in Stephania Zwane-Directed Film is Its Saving Grace
“The One for Sarah” Review: The Lyndsey Efejuku-Directed Film Audaciously Traverses Romance and Domestic Violence
“Jagun Jagun” Review: The Femi Adebayo-Produced Action-packed Yoruba Epic is Impressive but Forgettable
“Big Nunu’s Little Heist” Review: Andy Krasil’s-Directed Fast-Paced Comedy is a Memorable Watch
“Republic of South Ah SH**t” Review: Once Again, Kagiso Lediga-Directed Film Reiterates His Artistic Depth
“Fatal Seduction” Review: Netflix’s New Series Offers Steamy Temptations But Little Thrill
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Music
“Once Upon A Cat” Review: Iyanya Struggles for Artistic Control on New LP
“Evil Twin” Is a Poignant Reminder of PsychoYP and Jeriq’s Insane Potential
Afrocritik Weekly Music Spotlight 2024: Week 3
Nigerian Music Luminary, Timaya, Releases New Single, “Dey Your Dey”
Joeboy Inks Dual Deal with Warner Music, Launches Young Legend Label
“We Cut Keys 2” Review: Blinky Bill Returns With a Sonorous And Genre-Bending New Album
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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