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Who Wrote This? The Crisis of Criticism in the AI Era
Can AI Make Loan Applications Fairer in Africa?
“Some Stars Do Not Fall” Review: Taofeek Ayeyemi’s Chapbook Meditates on the Language of Grief
Features & Essays
Healthcare Influencers Are Shaping the Face of Digital Health Practice in Africa
Bnxn Vs Ruger, Who Takes the Lead So Far?
What Exactly is the Consequence of Internet Cancel Culture?
Onyeka Nwelue is Providing a New Way of Seeing and Extending Legacies
Nollywood’s Takeover in the Forthcoming 2023 Elections: A Possible Political Revolution, or Not?
Can Nigerian Music Be More Eco-Sensitive?
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Interviews
Film & TV
“Jolly Roger” Review: What Is Walter Banger’s True Motive in This Crime Thriller?
“Here Love Lies” Review: The Appealing Aura of Tope Oshin’s Film is Stifled by a Puzzling Storyline
“Beyond the Veil” Series Review: Five Northern Women Navigate Life in a Warm, Slow-Paced Drama
“Married to Work” Review: Philippe Bresson’s Rom-Com Falls Short of Expectations
“The Plan” Review: A Wonky Storyline Hinders the Prospects of an Enjoyable Watch
How Netflix and EbonyLife’s “A Sunday Affair” Makes a Feeble Case for Female Friendships
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Music
Ghanaian R&B Singer, Darkua, Releases New Single, “Say My Name”
What Will Shape Africa’s Music Landscape in 2024?
Omah Lay, Yemi Alade, Stonebwoy Announced As Performers for the All Africa Festival 2024
Libianca Legitimises Meteoric Rise With New “Walk Away” EP
Ready to Play: Music Playlist for the AFCON 2023
Music Review: Ossy Brown’s Two-Pack Offering is a Fascinating Sonic Output
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2025 AMVCA: How the Stars Lit up the Night With Style
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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