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Documentary Spotlight: “The Bandit Warlords of Zamfara”
Chimamanda Ngozi Adichie Begins “Dream Count” Homecoming Tour in Lagos
Dear Nollywood, Stop Using Sexual Violence as a Plot Device
Features & Essays
A Tribute to a Titan: Oba Lamidi Ọláyíwọlá Àtàndá Adéyẹmí (1938-2022)
Blogging is Playing a Big Role in the Spread of Fake News in Africa
Aside From Trend and Business, is There More to the “Period Package” Conversation?
Nudity in Nigerian Music Videos: A Simple, Growing Trend, Or an Absolute Necessity for Sales?
Young African Adults Are Now Choosing to Wait Longer Before Getting Married
Should African Artistes Begin To Look Beyond the Grammys?
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Interviews
Film & TV
“Collision Course” Review: Bolanle Austen-Peters Makes a Social Commentary on Police Brutality. But to What End?
“The Milkmaid” Review: Desmond Ovbiagele’s Femicentric Terrorism-Themed Feature Is a Nollywood Revelation
Kayode Kasum’s “Dwindle” Feels Like Recycled Ideas, Yet Entertaining to Watch
“The Throne” Review: A Banal Tale about the Hunger for Power
“Office Invasion” Review: Three Office Friends Battle Aliens in a Slow but Charming South African Sci-Fi Comedy
“Nairobby” Review: Greed and Division Rule in Jennifer Gatero’s Tense but Monotonous Post-Heist Thriller
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Music
“Palmwine Diaries Vol.1” Review: Juls Connects With His Ghanaian Roots on His Latest EP
“Pan African Rockstar” Review: Lady Donli’s Long-Awaited Sophomore Arrives Triumphantly
“Love/Hate Pt.1” Review: Xenia Manasseh Delivers an Impressive Introduction on Her Debut LP
“I Love It Here” Review: Nasty C Revels in His Growth on New Album
“Solomon” Review: Cassper Nyovest Harps on Self-Aggrandisement on New Album
“In Case I Never Love Again” Review: Oladapo Offers a Gripping Comeback on Debut Album
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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