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What a Cancelled Lagos Derby Reveals About Nigeria’s Football Reform
“Son of Elvis” Review: Marcus Harvey Bares His Heart Across New Album
Ask Your Brothers. Ask Them Their Stories, the Stories of Other Boys. Ask.
Features & Essays
In Defense of the Migrant Population: How Nigerian Migrants Abroad Contribute to Western Countries’ Economy
Flooding in Nigeria Has Become a Continuous Humanitarian Crisis
20 Emerging African Artistes Poised to Stun the World
The Architecture of Literary Prizes: What Does the Future Hold for the NLNG Nigeria Prize for Literature?
Ethnic Diversity in the British Parliament: 10 Black Africans Who Have Served as Members of Parliament
International Day of the Girl Child 2022: 8 Young African Women Amplifying the Voice of the Girl Child
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Interviews
Film & TV
“Umjolo: The Gone Girl” Review: Fikile Mogodi’s Debut Feature Lacks Substance
“Loose Cannon” Review: Olisa Eloka’s Short Film Is a Reminder of War’s Devastating Consequences
“Hijack ‘93” Review: Robert O. Peters’ Thriller Fails to Take Flight
“At Ease” Review: Seun Richards’ Directorial Debut Is a Refreshing Take on War Trauma
“Inside Life” Review: Clarence Peters Explores Dark Realities at a High Emotional Cost
10 Films That Have Shaped Nollywood
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Music
“Love/Hate Pt 2” Review: Xenia Manasseh’s Sophomore Album Is Proof of an Artistic Refinement
20 Iconic African Albums That Defined the 2000s
“The Younger Me” Review: Dr Soul Makes a Grand Sonic Statement With New EP
“Kaution” Review: Kold AF Delivers a Fierce Performance on Her Latest Project
Bongo Flava: The Evolution of East Africa’s Soundtrack
“Adedamola” Review: Fireboy DML Reinvents Himself With New Project
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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