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In Conversation: Obase-Sam Ikoi Reflects on Writing “The Comedian’s Diary” and the Necessity of Hope
“Out of Sight – Out of Mind: Volume 1” Review: Ycee Expresses Stylistic Yin & Yang on New Album
Nine African Film Talents Invited to Join the Academy’s Class of 2026
Features & Essays
A Brief Commentary on the 15th Headies Awards
Healthcare Influencers Are Shaping the Face of Digital Health Practice in Africa
Bnxn Vs Ruger, Who Takes the Lead So Far?
What Exactly is the Consequence of Internet Cancel Culture?
Onyeka Nwelue is Providing a New Way of Seeing and Extending Legacies
Nollywood’s Takeover in the Forthcoming 2023 Elections: A Possible Political Revolution, or Not?
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Interviews
Film & TV
“Shina” Review: A Promising Story Undermined by Narrative Shortcomings
Anticipated Film Releases Coming Your Way This Season
Courage Obayuwana: A Versatile Talent Who is Mastering Filmmaking With His Debut Directorial Feature, “Kill Boro”
“A Father’s Love” Review: Sebastian Ukwa Directs a Poignant Story With Subtlety and Nuance
Judging a Film By Its Cover: How Nollywood Film Posters Spark Audience Interest
“Kill Boro” Review: Courage Obayuwana’s Debut Feature Leaves A Lasting Impression
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Music
“Pheelz Good II” Review: Pheelz Basks in Creativity With His Latest Project
In Conversation: How Kaycee Brown Is Embracing His Identity Through Music
“Mbuzi” Review: Young Lunya’s Debut Album is a Reiteration of His Storytelling Prowess
“Ikigai” Review: Olamide’s New EP Expands His Cultural Cachet
Afrocritik’s Top 30 African Songs in the First Half of 2024
“Madam Dearest Pt.1” Review: DOTTi the Deity Delivers a Captivating Love Anthem
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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