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HOMECOMING | Fiction by Chukwuebuka Obiakaeze
Nigerian Thriller, “Over the Bridge”, Heads to Kenyan Cinemas This June
“Wa Jo Pa” Review: Bad Boy Timz Leans Into His Strengths on Lively Sophomore Album
Features & Essays
Why Do People Still Fall Prey to Ponzi Schemes Amidst Warning Signs?
Have we Reached the Long-awaited Meeting Point of Politics and Religion?
Live Performance Culture: How Has the Trio of Burna Boy, Wizkid, and Davido Fared?
Beyond a Name Change, the Need for a Full Nigerian Prison Reform
Scores and Original Soundtracks: Nollywood’s Untapped Goldmine?
Weighing the Cost of Gambling in Africa: Sports Betting in Nigeria
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Interviews
Film & TV
“The Order of Things” Review: Dr Sid Serves a Hollywood-esque Romantic Comedy in Nollywood Directorial Debut
“Breaded Life” Review: Biodun Stephen Writes and Directs to Perfection a Twist of Fate
Marking Democracy Day: 5 Films about Nigeria’s Democracy (And Where to Find Them)
“Charge and Bail” Review: Inkblot’s Courtroom Drama is a Legal Comedy in Every Sense
“The Wildflower” Review: Biodun Stephen’s Winning Streak Continues in New Film About Gender-Based Violence
“Dazzling Mirage” Review: Tunde Kelani’s Old but Gold Film on sickle-cell Disease Makes Entrance on Netflix
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Music
“Maverick” Fails To Solve The Debate On Kizz Daniel’s Status As A Nigerian Music Top Gun
Bella Shmurda Makes a Grand & Lofty Statement with “DND” EP
Adekunle Gold’s “Tequila Ever After” is a Toast to His Artistic Evolution
“Trench to Triumph” Review: Crayon’s Musical Odyssey is on Display in Debut LP
“Rhythm and Tunes” Review: Lil Kesh Delivers Average Afrobeats Fare with a Few Bright Spots
“Blessed” Review: With Sophomore Extended Play, Mohbad Marks Triumphant Comeback
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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