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In Conversation: Obase-Sam Ikoi Reflects on Writing “The Comedian’s Diary” and the Necessity of Hope
“Out of Sight – Out of Mind: Volume 1” Review: Ycee Expresses Stylistic Yin & Yang on New Album
Nine African Film Talents Invited to Join the Academy’s Class of 2026
Features & Essays
Can Nigerian Music Be More Eco-Sensitive?
Hike in Food Prices is Causing a Shift in Consumer Preference in Africa, Research Now Says
Despite Africa’s Illustrious Political Past, Why Are African Countries Failing?
The Single Narrative About Africa is Exhausting
Echezonachukwu Nduka and the Music of Poetry
Securing 9 Gold Medals in the 2022 World Athletics Championship is a Good Step for Africans
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Film & TV
Why Copyright Protection Matters For The Future of Nollywood
“Funmilayo Ransome-Kuti” Review: Bolanle Austen-Peters Skillfully Conveys a Political Treatise in This Biopic
“UNO (The F in Family)” Review: Ebuka Njoku’s Sophomore Feature is Endearing, But Does It Triumph?
A Brief History on the Visual Language of Sex in Cinema
AMVCA 2024: The Year the Award Ceremony Attempted to Get It Right
“Water & Garri” Review: Meji Alabi’s Directorial Debut Feature Offers Scintillating Visuals But Doubtful Storytelling
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Music
“Stubborn” Review: Victony’s Impressive Debut LP Explores Life’s Highs and Lows
“Hexagon” Review: Love and Devotion Shine Through Anendlessocean’s New EP
“Before the Feast” Review: Falz’s EP Thrives On Carefree Escapism
Afrobeats Royalty: Tekno, On Growth, Abundance, and New Opportunities
“À nu” Review: Karun’s New EP is a Lustrous Link-Up With Producer Duo, GR! & Hook
“Born in the Wild” Review: Tems’ Debut Album Is a Masterclass on Self-Discovery
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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