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“The Prince of the Street” Review: Ayo Maff’s Strongly Themed Debut Still Needs More Range to Soar
“Mothers of Chibok”, “Put Your Soul on Your Hand and Walk” Win Top Awards at Encounters Documentary Film Festival
Afro-Fusion Trio, 255 Reunites, with Minz on “SHA NA”, Ahead of New Album
Features & Essays
Africa and the Culture of Wife Inheritance
Drawing the Line Between Respect and Power Thirst
Podcasting for Africans, and How to Get Started
How the Igbos See “Dada” Children, and the Place of “Umu Dada” in Igbo Cosmology
Vaillante: The Cast of UNICEF’S Miniseries Want Child Marriage Survivors to Feel Seen
From Writing Corporate Briefs to Creating Soulful Melodies, Cill Soul Is on the Rise, Taking Strides, One Leap at a Time
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Film & TV
“Breaded Life” Review: Biodun Stephen Writes and Directs to Perfection a Twist of Fate
Marking Democracy Day: 5 Films about Nigeria’s Democracy (And Where to Find Them)
“Charge and Bail” Review: Inkblot’s Courtroom Drama is a Legal Comedy in Every Sense
“The Wildflower” Review: Biodun Stephen’s Winning Streak Continues in New Film About Gender-Based Violence
“Dazzling Mirage” Review: Tunde Kelani’s Old but Gold Film on sickle-cell Disease Makes Entrance on Netflix
“Kedibone” Review: A Coming-of-Age Tale of a Flawed, Young South African Woman
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Music
“Litany” Review: Konyikeh Bares Her Soul on Her Debut EP
“Level Up” Review: Tha Boy Myles Sets a New Bar With Sophomore EP
“Lifesize Teddy” Review: Mavin Records’ Newest Star Arrives With a Bang on Her Debut EP
“Solace” Review: Uncle Waffles Shows Off Her Brilliancy on Her Amapiano-Pivoted EP
“The African Serenades” Review: Echezonachukwu Nduka Sets the Pace For African Art Music
“THREEE” Review: KLY’s Album Reflects on Love, Lust, and Internal Conflicts
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2025 AMVCA: How the Stars Lit up the Night With Style
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