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MIFF 2026: “Chronicles From the Siege” Is the Film That Says What Politics Has Failed To
“ALKEBULAN III: The Water Remembers” Review: Matt B Rounds Out Album Trilogy With Orchestral Flourish
“Starrgirl” Review: Ayra Starr Cements Star Girl Status with New Album
Features & Essays
Donald Oghenechovwe Ekpeki is Charting New Courses in African Speculative Fiction
Tobi Amusan and the Journey to Becoming World Champion
Regular vs. Irregular Contestants; Do Big Brother Naija Fans Prefer the Eccentric?
How Active is Colourism in the Global Entertainment Industry?
The Man of the Moment: Will Portable’s Eccentricity Be the End of His Music Career?
“Iyanu: Child of Wonder” HBO Adaptation: Nigeria’s Animation Industry, and the Nigerian Factor
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“Shina” Review: A Promising Story Undermined by Narrative Shortcomings
Anticipated Film Releases Coming Your Way This Season
Courage Obayuwana: A Versatile Talent Who is Mastering Filmmaking With His Debut Directorial Feature, “Kill Boro”
“A Father’s Love” Review: Sebastian Ukwa Directs a Poignant Story With Subtlety and Nuance
Judging a Film By Its Cover: How Nollywood Film Posters Spark Audience Interest
“Kill Boro” Review: Courage Obayuwana’s Debut Feature Leaves A Lasting Impression
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Music
“Stubborn” Review: Victony’s Impressive Debut LP Explores Life’s Highs and Lows
“Hexagon” Review: Love and Devotion Shine Through Anendlessocean’s New EP
“Before the Feast” Review: Falz’s EP Thrives On Carefree Escapism
Afrobeats Royalty: Tekno, On Growth, Abundance, and New Opportunities
“À nu” Review: Karun’s New EP is a Lustrous Link-Up With Producer Duo, GR! & Hook
“Born in the Wild” Review: Tems’ Debut Album Is a Masterclass on Self-Discovery
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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