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In Conversation: Obase-Sam Ikoi Reflects on Writing “The Comedian’s Diary” and the Necessity of Hope
“Out of Sight – Out of Mind: Volume 1” Review: Ycee Expresses Stylistic Yin & Yang on New Album
Nine African Film Talents Invited to Join the Academy’s Class of 2026
Features & Essays
Despite Strict International Laws, Challenges Abroad, Young Africans are Still Crossing Borders
Tems’ BET Win is a Glimpse into the Future of African Music, and African Women in Music
Is the New Wave of the Corset Changing the Way Women View Their Bodies?
Reconciling the Loss of the Mother Tongue, and Learning to Speak It Again
TikTok Is Bringing Down Obstacles to Music Promotion; But It Is Also Creating New Ones
Why Nigerian Parents Hate Headphones
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Interviews
Film & TV
iREP Film Festival 2024 Dispatch: Righting the Future Through Documentary
FilmOne Studios Releases Trailer for New Film, “Aburo”
“Áfàméfùnà” Review: Kayode Kasum’s Heartfelt Love Letter to Igbo Enterprise Could Use Better Structuring
Veteran Actress, Bukky Wright, Returns to Big Screens in Rixel Studios’ Upcoming Title, “Red Circle”
In Memory: 8 Memorable Roles by Amaechi Muonagor
Being a Creative Amidst Nigeria’s Economic Turbulence: How Nollywood Filmmakers are Cutting Costs
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Music
Understanding Music Marketing Beyond Publicity Stunts: A Guide for African Artistes
10 Urban Music Genres Unique to East Africa
Aniela Makes A Brazen Debut With “Magic”
“No Overthinking” Review: Savara’s New Album is a Well-Crafted Collection
“Bad Boy Etiquette 102” Review: Ajebo Hustlers Unpack the Human Condition on New Project
“Mombasa’s Lover Boy” Review: Caleb Awiti Delivers Another Slow Jam LP
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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