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ADIFF 2025: Sana Na N’Hada Examines the Cost of Freedom and the Weight of Memory in “Nome”
African Projects Dominate at 2025 Red Sea Souk Awards + Full List of Winners
“Ojirami: The Weeping River” Review: Immigration, Myth, and Tragedy Swirl in a Play About the Potency of a Deity
Features & Essays
Africa and the Culture of Wife Inheritance
Drawing the Line Between Respect and Power Thirst
Podcasting for Africans, and How to Get Started
How the Igbos See “Dada” Children, and the Place of “Umu Dada” in Igbo Cosmology
Vaillante: The Cast of UNICEF’S Miniseries Want Child Marriage Survivors to Feel Seen
From Writing Corporate Briefs to Creating Soulful Melodies, Cill Soul Is on the Rise, Taking Strides, One Leap at a Time
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Film & TV
“Beyond the Veil” Series Review: Five Northern Women Navigate Life in a Warm, Slow-Paced Drama
“Married to Work” Review: Philippe Bresson’s Rom-Com Falls Short of Expectations
“The Plan” Review: A Wonky Storyline Hinders the Prospects of an Enjoyable Watch
How Netflix and EbonyLife’s “A Sunday Affair” Makes a Feeble Case for Female Friendships
“Flawsome” Review: Once Again, Nollywood Women aren’t Independent of Masculine Convention
“All Na Vibes” Review: An Ambitious Film Loses its Aspiration to Flimsy Plot
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Music
“Masta” Review: Tim Lyre’s New EP Chronicles His Artistic Evolution
“Body, Soul, & Spirit” Review: Joeboy Expands on Past Work With New EP
“Don’t Get Used To This” Review: WurlD Operates at the Peak of His Powers on New EP
“Family Time” Review: Erigga’s Storytelling Finesse is Marred by Subpar Production
“The Evil Genius” Review: Mr Eazi Gets Up Close and Personal On Debut LP
“7 SEAS” Review: June Freedom Demonstrates His Unique Artistry on Enjoyable LP
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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