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In Conversation: Obase-Sam Ikoi Reflects on Writing “The Comedian’s Diary” and the Necessity of Hope
“Out of Sight – Out of Mind: Volume 1” Review: Ycee Expresses Stylistic Yin & Yang on New Album
Nine African Film Talents Invited to Join the Academy’s Class of 2026
Features & Essays
Are African Wives Doing Away with the Sacrocancy in Domestic Cooking?
From Hood Boy to Billionaire Dreams, What Does Jeriq’s Rise Represent for the Nigerian Trap Culture?
Female-Engineered Domestic Violence is as Wrong As its Gender Flipside
The “Umuada” is Striking Newer Chords in Cultural Dynamism and Feminism in Igboland
10 Activists in Africa and the Diaspora Changing the LGBTQ+ Narrative
Ifé: A Singer, Philosopher, and Storyteller of Ancient Breed
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Interviews
Film & TV
12 Films Selected for the Nollywood Week Film Festival
“In Bloom” Anthology Creators: In Conversation with the Changemakers Who Lend a Voice to Gender Equality
AMVCA10: 11 Select Reviews of Nominated Films
“Abomkhulu” Review: The Kganki Mphahlele-Directed Film is Fresh, Funny and Filled With Lessons
“Dead of Night” Review: Chiemeka Osuagwu’s Horror Feature Serves Little Impactful Scares
“Grown” Review: Ola Jegede and Empress Allen’s Young-Adult Drama is Bereft of Introspective Moments
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Music
“Soul Searching” Review: Nezsa Rediscovers Herself With Her Sophomore Project
Bnxn and Ruger Call For Truce With the Rhythm and Blues -Driven “RnB” EP
“Mtindo” Review: Boutross Delivers A Collaborations Galore in His New Album
“Jiggy Forever” Review: Young Jonn’s Clear-Cut Delivery Dulls the Excitement of His Debut Album
“Shakespopi” Review: Shallipopi’s Album Fails to Justify Its Existence
Afrocritik Weekly Music Spotlight 2024: Week 9
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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